| BAUDELAIRE İÇİN DRAMATİK BİR OKUMA (X) Senfonik Şiir (III) Bir Empati Denemesi | Tuğrul İNAN | 1–16 |
| BAUDELAIRE’İN KAYNAKLARI (III)POE VE ÇALINAN MEKTUP | M Emin ÖZCAN | 17–22 |
| REFLECTIONS FROM THE ART OF MUSIC,PAINTING AND SCULPTURE IN THREE POEMS OF BAUDELAIRE | Nedim KULA | 23–34 |
| ZİYA OSMAN SABA İÇİN DRAMATİK BİR OKUMA Bir Empati Denemesi | Tuğrul İNAL | 35–44 |
| XLIXIX. YÜZYIL BATI ROMANINDA NESNEL ÇEVRE VE BETİMLEME SORUNLARI | Cemalettin AYKIN | 41–56 |
| BİR MUTLULUK SERÜVENİ VE ZİYA OSMAN SABA | Kemal ÖZMEN | 45–55 |
| ON HISTORY AND MAN IN ANDRE MALRAUX | Kemal ÖZEN | 57–74 |
| THE PAINTING AND THE BLOOD Hospitals in L’Espoir | Marie-Sophie DOUDET | 75–84 |
| ACTUALITY OF ANDRE MALRAUX | Marie GEFFRAY | 85–90 |
| DESERT FASCINATION IN XXe IN FRANCE AND EQUIVALENT EUROPEAN SCENES | Kalliopi PLOUMISTAKI | 103–115 |
| LANGUAGE AND SPACE IN SAINT-JOHN PERSE’S CHRONIQUE | Glenn W FETZER | 129–139 |
| UNDERSTANDING THE OTHER THROUGH SPEAKING HIS LANGUAGE: F.C.H.L. POUQUEVILLE’ S VOYAGE EN MORÉE | Alexis KALESSIS | 141–151 |
| The myth of NarcIssus In André GIde and Paul Valéry And Its SuggestIo | Duran İÇEL | 153–164 |
| “THE VENOM OF THE FANTASTIQUE” SUR LE SEUIL BY PATRICK SENÉCAL | Voichita-Maria SASU | 165–172 |
| AN İÇİNDE SONSUZLUğU BULMAK: MARGUERITE DURAS’IN SEVGİLİ’Sİ | Hanife Nâlân GENÇ | 173–188 |
| UNEXISTING ROOTS. SOME THOUGHTS ON BERNARD-MARIE KOLTÈS’ DRAMATIC WORKS | Grazyna STARAK | 189–196 |
| ANNIE ERNAUX’NUN BİR KADIN ADLI ROMANINDA ANNE İMGESİ | Esma SÖNMEZ | 197–203 |
| FRENCH AND TURKISH WOMEN WRITERS IN TH XXTH CENTURY FROM 1968 TO THE PRESENT (4) | Jale ERLAT, Damla ŞIKEL | 205–217 |
| AN APPROACH INTERPRETIVE ON TRANSLATIONS OF NEW MOON IN TURKISH AND IN FRENCH | Serhan DİNDAR | 219–231 |
| MUSIC AND INTERTEXTUALITY (I): THEORY | Kubilay AKTULUM | 233–254 |
| THE VOICES OF LONELINESS AND ALIENATION IN ABLA FARHOUD'S LE FOU D'OMAR | Arzu ETENSEL İLDEM | 255–262 |
| JACQUES BREL'S POETIC GEOGRAPHY | Nizamettin KASAP | 263–276 |
| OSMANLI TOPLUMUNUN BATILILAŞMASINDA GÖÇÜN ETKİSİ VE TAAFFÜF | Canan Öktemgil TURGUT | 277–296 |
| SABAHATTİN ALİ’NİN ROMANLARINDA “BEN”İ YÖNETEN İRADE | Refika Altıkulaç DEMİRDAĞ | 297–309 |
| NARRATIVE INDICATIONS OF TAHSİN YÜCEL’S SONUNCU | Sevim AKTEN | 311–318 |
| HİLMİ YAVUZ’UN ŞİİRİNDE SÖZ SANATLARI, SÖZCÜK OYUNLARI VE ŞİİRSEL FİGÜRLER (YANAÇLAR) | Abdulhalim AYDIN | 319–349 |
| READING ORHAN PAMUK’S SNOW THROUGH IMAGERY | Mümtaz KAYA | 351–363 |
| 1985-2010 YILLARI ARASINDA TÜRKİYE’DE FRANSIZ DİLİ VE EDEBİYATI ALANINDA YAPILAN LİSANSÜSTÜ TEZLER ÜZERİNE BİR ÇÖZÜMLEME | Erdoğan KARTAL | 365–379 |