| BAUDELAIRE’İN KAYNAKLARI: HOFFMANN İLE DIDEROT, PALYAÇO İLE RAHİBE-I | M Emin ÖZCAN | 15–25 |
| THE FRENCH CULTURAL PRESENCE IN THE OTTOMAN EMPIRE DURING THE AGE OF COLONIAL COMPETITION IN EUROPE (1870-1914) | Paul DUMONT | 35–62 |
| ALLAH DIEU, GÖKLER CIEUX… | Talat Sait HALMAN | 63–73 |
| FRANSIZ ŞİİRİNDEN İLK ÇEVİRİLER VE ALFRED DE MUSSET’NİN TÜRK ŞAİRLERİNE ETKİSİ | Ali İhsan KOLCU | 75–86 |
| EDEBİYATTA ETKİ RÜZGÂRI | Doğan HIZLAN | 87–91 |
| FRANSIZCA TÜRK ŞİİRİ | Ekrem AKSOY | 93–102 |
| TÜRK ŞİİRİNDE FRANSIZ ŞİİRİ | Hilmi YAVUZ | 103–109 |
| BENİM FRANSIZ ŞAİRLERİM YA DA ŞİİRDE ETKİLEŞİM ÜZERİNE | Ataol BEHRAMOLU | 117–123 |
| İLHAN BERK’TEKİ FRANSIZ ŞİİRİ YA DA BİR BAŞKASI YİNEDE KENDİSİ | Kemal ÖZMEN | 125–149 |
| GERÇEKÜSTÜCÜLÜK VE ORHAN VELİ ŞİİRİ ÜZERİNE BİR YAKLAŞIM DENEMESİ | Tuğrul İNAL | 151–163 |
| FRANSIZ ŞİİRİNDEN ÇEVİRİLER | Abidin EMRE | 165–177 |
| MALLARMÉ VE VALÉRY’DEN TANPINAR’A MİSTİSİZM VE SANATSAL KAYGI | Cengiz ERTEM | 179–188 |
| YAHYA KEMAL: PARİS’TEN GAZEL SÖYLEYEREK DÖNEN ŞAİR | Fahrettin ARSLAN | 189–200 |
| TÜRKÇE ŞİİRDE SİYAHÎLİĞİN İZLERİ | Laurent MIGNON | 201–217 |
| SIMILARITIES IN THE POETRY OF JACQUES PREVERT AND ORHAN VELI | Ş Alparslan YASA | 219–239 |
| FRANKOFONi ÜZERiNE ÇEŞİTLi iNCELEMELER | Marie-Christine KOK ESCALLE | 241–254 |
| FRANCOPHONE LITERATURE: BOND BETWEEN THE PERIPHERY AND THE CENTER | Georges FRÉRIS | 265–273 |
| FRANCOPHONIE AND EMANCIPATION: THE CASE OF ANDRÉ KÉDROS | Olympia G ANTONIADOU | 285–294 |
| ÇEŞİTLİ İNCELEMELER | Dr. Özlem OKUR KASAP | 295–312 |
| FAUST İZLEĞİNİN TARİHSEL DEĞİŞİMLERİ BAĞLAMINDA BİREYİN YAZINSAL TARİHİ | Nihat ÜLNER | 313–333 |
| IN SEARCH OF IDENTITY: OLYMPE DE GOUGES AND HER NOVEL MÉMOIRE DE MADAME DE VALMONT | Andrzej RABSZTYN | 335–344 |
| OEDIPUS AND ANTI-OEDIPUS IN THE DRAMATIC WORKS OF VOLTAIRE | Marek MOSAKOWSKI | 345–354 |
| METİNLERARASILIK/GÖSTERGELERARASILIK | Kubilây AKTULUM | 355–378 |
| THE PARATEXT IN VICTOR HUGO’S NOVEL NOTRE-DAME DE PARIS | Ewa M WİERZBOWSKA | 379–390 |
| ANDRÉ MALRAUX: BETWEEN PRESENT AND TIMELESSNESS | Abdelaziz BENNIS | 407–415 |
| A WORD IN ORDER TO CONVINCE: FROM THE IMPACT OF THE IMPACT OF THE WORD “LIBERAL” IN POLITICS TO THE EXAMPLE OF THE REFERANDARY CAMPAIGN ON THE INTERNET | Joanna JereczekLIPIN SKA | 417–430 |
| BODY – EMOTIONS : MELANCHOLY IN A HERO’S BODY IN FRENCH LITERATURE IN THE 19TH CENTURY | Jolanta Rachwalska VON REJCHWALD | 431–442 |
| MUTUAL INFLUENCES OF DIFFERENT FORMS OF NATURE IN THE FIRST GARDEN BY ANNE HÉBERT | Ljiljana MATIC | 443–455 |
| BİR SÜRGÜN ŞARKLILAŞTIRILMAYA KARŞI | Berkiz BERKSOY | 457–468 |
| İKİ ÜLKE İKİ ŞAİR YA⁄MUR VE UÇURUM PABLO NERUDA-ATAOL BEHRAMOĞLU | Hâle SEVAL | 469–481 |
| POSTMODERNİZM VE ENTELEKTÜELLER | Gönül İÇLİ | 515–525 |
| TRANSLATION ACTIVITIES IN TURKEY IN 19th CENTURY AND AN ANTHOLOGY OF FRENCH LITERARY TEXTS TRANSLATED INTO TURKISH | Nurmelek DEMİR | 527–537 |
| A STUDY ON THE SEMIOTIC ANALYSIS OF TRANSLATION | Eylem AKSOY ALP | 539–571 |