| A DRAMATIC READING OF BAUDELAIRE (VIII) Symphonıc Poem (I) The Empathy Method | Prof. Dr. Tuğrul İNAL | 1–23 |
| Y‹RM‹‹K‹NC‹ K‹TABI YAYIMLARKEN | Tuğrul İNAL | 9–19 |
| BAUDELAIRE’S MEMORY: “CYGNE”-I | M Emin ÖZCAN | 15–22 |
| THREE POEMS OF BAUDELAIRE, IN THE SCHOOL FOR WIVES OF ANDRÉ GIDE | Nedim KULA | 23–33 |
| THE EAST AND ITS’ TWIN | Prof.Dr. Tuğrul İNAL | 35–43 |
| ANY THE EAST : MARGUERITE DURAS, LAFERRIÈRE AND MONTESQUIEU | Roxaneh NAGHSHI | 45–53 |
| THE DIALECTIC OF SUBJECTIVITY IN MARGUERITE DURAS’ THE LOVER | Sarah GASPARI | 55–65 |
| A MAN, A WOMAN, TWO LOVE: LA MUSICA DEUXIÈME OF MARGUERITE DURAS | Hanife Nâlân GENÇ | 67–80 |
| STUDIES OF LATIN LITERATURE IN TURKISH LITERATURE | S Dilek Yalçın ÇELİK | 81–94 |
| NECATİ CUMALI AND VİRAN DAĞLAR (RUGGED MOUNTAINS) IN TURKISH LITERATURE | Hâle SEVAL | 95–101 |
| ATAOL BEHRAMOĞLU’S «HAYATA UZUN VEDA» OR IN THE STEPS OF MODERN THESEUS | Kemal ÖZMEN | 103–109 |
| FARKLI BİR ORPHÉE ÖYKÜSÜ: ANOUILH’UN EURYDICE’İ | Ertuğrul İŞLER | 111–117 |
| FORM AND CONTENT IN THÉRÈSE DESQUEYROUX | Ekrem AKSOY | 119–125 |
| A NEW HISTORICIST APPROACH TO THE PRINCESS OF MANTOUE BY MARIE FERRANTI | Ali TİLBE | 127–142 |
| RETRANSLATION: RETURN TO THE SOURCE | Fahrettin ARSLAN | 143–151 |
| FROM TRANSLATION THEORY TO THE PRACTICE, FROM PRACTICE TO THE THEORY… | Eylem AKSOY ALP | 153–159 |
| HÜSEYIN CÖNTÜRK, ‘II. YENİ’ POETRY AND ATONAL MUSIC | Abidin EMRE | 161–164 |
|