Journals / Frankofoni
FrankofoniSosyal
2016 · Cilt: 1 - Sayı: 28
| Article | Author | Pages |
|---|---|---|
| VICTOR HUGO’S LES MISERABLES AS A SENTIMENTAL NOVEL | Aleksandra BOGUS?AWSKA | 1–6 |
| A DRAMATIC READING OF BAUDELAIRE (XIV) Symphonic Poetry (VII) For a “genre” of poetry-theatre The Empathy Method | Tuğrul İNAL | 1–45 |
| NEDİM GÜRSEL’S LITERARY JOURNEY | S Seza YILANCIOĞLU | 59–66 |
| VENICE IN THE NOVELS OF NEDIM GÜRSEL AND METIN ARDITI | Arzu Etensel İLDEM | 67–78 |
| THEMATICAL ELEMENTS IN THE LOVE IN THE AFTERNOON BY NEDİM GÜRSEL | Hanife Nâlân GENÇ | 97–109 |
| A DRAMATIC READING OF NEDİM GÜRSEL For a “genre” of poetry-theatre The Empathy Method | Tuğrul İNAL | 117–127 |
| For a Category of Baroque Novel | Lelia TROCAN | 129–142 |
| PROGRES ET DEVENIR DANS LE CHEVAL ROUX OU LES INTENTIONS HUMAINES D’ELSA TRIOLET | Graziella-Foteini CASTELLANOU | 149–158 |
| THEATRE, TRANSLATION AND AESTHETICS | Emine BOGENÇ DEMIREL, Kerem DEMIRTAŞ | 173–187 |
| ON TIPTOES MARIE KRYSINSKA’S MASTERY OF FORM | Ewa M. WİERZBOWSKA | 215–224 |