Journals / Frankofoni
FrankofoniSosyal
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Reading the catalog.
Journals / Frankofoni
| Jale ERLAT |
| 229–257 |
| Medievals fascinations: Berent and Hugo | Ewa M. WIERZBOWSKA | 259–267 |
| The unknown Masterpiece and Balzac's realizm | H. Necmi ÖZTÜRK | 269–277 |
| Semiotic analysis of a dialogue from Hérodias by Gustave Flaubert | Buket ALTINBÜKEN | 279–288 |
| A Masterpiece heralding the birth of poetry like prose:Gaspard de la Nuit | Abidin EMRE | 289–296 |
| An esthetic of the open-close and the circular in J. Giraudoux's Electre and E. Ionesco's Tueur Sans Gages | Angélique CONFİDOU | 297–305 |
| Paul Claudel: Traveller-diplomat and the Middle Kingdom | Efstratia OKTAPODA | 307–318 |
| Alain-Fournier's le Grand Meaulnes Multifaceted Novel | Ljiljana MATİC | 319–333 |
| Four translations of Camus's the stranger and possibilities in translating humor | Nazik GÖKTAŞ | 335–351 |
| The fantastik nature of space in Ionesco's works | Aydın ERTEKİN | 353–364 |
| To write very close to human | Béatrice LIBERT | 365–375 |
| Syntaxe as a principal place manifaste changes in the political discourse | Joanna-Jereczek LİPİNNSKA | 377–386 |
| The Romanian spirituality and the universal values treasure | Lelia TROCAN | 387–392 |
| The Chronotope in the science-fiction: A few remarks about relations of time and space in the science-fiction | Katarzyna GADOMSKA | 393–402 |
| Michel Houellebecq: An Antimodern Modernist | Marek Mosakowski | 403–412 |
| Surrealist writing and account of oneself | Jean-Michel DEVESA | 413–423 |
| The gaze as an identity forming element in Marie Darrieussecq's pig tales | Katarzyna KOTOWSKA | 425–434 |
| Realistic elements of the adventures of Huckleberry Finn and the critic of the romanticism | Abdulhalim AYDIN | 435–445 |
| The demise of the ottoman empire according to the Turcs of bertrand bareilles | Gülser ÇETİN | 447–456 |