Journals / Frankofoni
FrankofoniSosyal
Reading the catalog.
Journals / Frankofoni
| Abidin EMRE |
| 223–234 |
| The mysoginia of Jacques Brel, myth or reality? | Nizamettin KASAP | 235–246 |
| Two authors, two stories | Özlem KASAP | 247–256 |
| Comparative study between Ömer Seyfettin's short story "Bahar ve Kelebekler" and that of maupassant "Jadis" | Nihayet ARSLAN | 257–268 |
| Alexander Pushkin and Nazım Hikmet | Ataol BEHRAMOĞLU | 269–279 |
| The battle between good and evil in gradoux, Yakup Kadri and Proust's Sodom and Gomorrah | Kadir BAYRAKÇI | 281–294 |
| A few samples of poems of death from Turkish and French Poets | Hamit SUNEL | 295–312 |
| A poem, a novel:The dream of queen Victoria - The novel of Fatih Sultan Mehmet | Hale SEVAL | 313–323 |
| Orhan Pamuk's İstanbul: Memories and city | Batum MENTEŞE | 325–334 |
| Moirai ropemakers, graceful moirai or dreadful moirai? metamorphosis of the myth in the literary and artistic tradition | Efstratia OKTAPODA | 335–345 |
| Quotation and painting | Kubilay AKTULUM | 347–373 |
| On simplicity | Olga WRONSKA | 375–378 |
| Symbolic difference and ontolojical difference (Marin Sorescu) | Lelia TROCAN | 379–385 |
| Gothic line by Fulvio Caccia or Europe seen through the eyes of a Canadian of Italian origin | Ljiljana MATIC | 387–397 |
| Phenomenons /effects of discours in the language of political journalist bloggers | Joanna Jereczek LIPINSKA | 399–410 |
| An essay on making sense of two cinema films with phylosophy | İsmail H. DEMİRÖVEN | 411–422 |
| Did Yahya Kemal understand 'Fetes Galentes' correctly? | Kemal ÖZMEN | 423–429 |
| Exile literature and exile as a motif in Oya Baydar's Novel | Onur Bilge KULA | 431–451 |
| Paris and the intellectual: Reflections from a historical décor into an aeshetic décor | Nazik GÖKTAŞ | 453–468 |