| ANALYSIS OF ATATURK-MAN OF NATION (1956) DOCUMENTARY FILM FROM HISTORICAL PERSPECTIVE | Tunç BORAN,Ahmet DÖNMEZ | 1–18 |
| HAYAO MIYAZAKI IN THE EAST-WEST SYNTHESIS | Özkan KÖSE,Semih ÇINAR | 19–32 |
| A CRITICAL APPROACH FOR ART CRITICISM LESSON | Kani ÜLGER | 33–51 |
| SAMPLES OF PRINCIPALITIES BOOKBINDINGS IN ERZURUM MANUSCRIPT LIBRARY | Not stated | 52–80 |
| WOMEN ARTISTS AGAINST GENDER CODES AN ASSESSMENT OF THE TRANSFORMATION IN ART EXPRESSIONS | Burcu ÖZYONAR ÇIRAK | 81–95 |
| CALLIGRAPHER YAHYA HILMI EFENDI AND HIS WORKS | Hasan ADSAN,Yusuf BİLEN | 96–123 |
| IMPACT OF VITAL SOLUTIONS FOR CLOTHING ON DESIGN IN THE PROCESS OF IMMIGRATION | AYŞE FIÇICIOĞLU | 124–146 |
| A BRIEF HISTORY OF MEDICAL ILLUSTRATION FROM THE PALEOLITHIC PERIOD TO THE PRESENT | Sefa Ersan KAYA | 147–175 |
| EXHIBITING THE WORK AS TIME-SPACE INDEPENDENT AND UNIQUE | Gülçin KARACA,Remzi SAN | 176–195 |
| THE DIASPORA CASE FROM CONTEMPORARY FIBER ARTISTS' PERSPECTIVE | Nazan OSKAY | 196–215 |
| AN ART BUILDING IN STRUCTURAL AND FUNCTIONAL CONTEXT: VALENCIA OPERA BUILDING | Hüseyin Burak KARASAKAL,Mustafa KAVRAZ | 216–243 |
| GRAPHIC RECORDING: REAL TIME VISUAL NOTES | İrem BİLGİ | 244–256 |
| THE LIVES AND PAINTINGS OF ABDUS HUSEYIN AND SERAFETTIN NEBI | Sevil BÜLBÜL | 257–275 |
| EVALUATION OF INTERNSHIP TRAINING APPLIED IN CERAMICS DEPARTMENTS OF THE FACULTY OF FINE ARTS | Emrah PEK | 276–291 |
| ISLAMIC PHILOSOPHY IN ARTS AND AN EXAMPLE OF ITS APPLICATION | Yasemin TÜMER ÇELİK,Meltem DEMİRCİ KATIRANCI | 292–324 |
| ARAKLI’S MOSQUE BUILT IN THE CANTI TECHNIQUE; BEREKETLİ MAHALLESİ MASELE MOSQUE |