| THE SOURCES OF BAUDELAIRE: HOFFMANN AND DIDEROT, THE CLOWN AND THE NUN-I | M Emin ÖZCAN | 15–25 |
| THE FRENCH CULTURAL PRESENCE IN THE OTTOMAN EMPIRE DURING THE AGE OF COLONIAL COMPETITION IN EUROPE (1870-1914) | Paul DUMONT | 35–62 |
| ALLAH DIEU, GÖKLER CIEUX… | Talat Sait HALMAN | 63–73 |
| FIRST TRANSLATIONS OF FRENCH POETRY AND THE INFLUENCE OF ALFRED DE MUSSET ON TURKISH POETS | Ali İhsan KOLCU | 75–86 |
| THE PLACE OF INFLUENCE IN LITERATURE | Doğan HIZLAN | 87–91 |
| FRENCH POEMS BY TURKISH POETS | Ekrem AKSOY | 93–102 |
| FRENCH POETRY IN TURKISH POETRY | Hilmi YAVUZ | 103–109 |
| MY FRENCH POETS AND INFLUENCE ON POETRY | Ataol BEHRAMOLU | 117–123 |
| THE POETRY OF ILHAN BERK OR ‘ANOTHER BUT ALWAYS HIMSELF’ | Kemal ÖZMEN | 125–149 |
| AN APPROACH TO SURREALISM AND THE POETRY OF ORHAN VELI | Tuğrul İNAL | 151–163 |
| TRANSLATIONS OF FRENCH POETRY | Abidin EMRE | 165–177 |
| MYSTICISM AND ARTISTIC CARE FROM MALLARMÉ AND VALÉRY TO TANPINAR | Cengiz ERTEM | 179–188 |
| YAHYA KEMAL: POET BACK FROM PARIS WITH GAZEL | Fahrettin ARSLAN | 189–200 |
| TRACES OF BLACKNESS IN TURKISH POEMS | Laurent MIGNON | 201–217 |
| JACQUES PRÉVERT VE ORHAN VELİ ŞİİRLERİNİN AKRABALIĞI | Ş Alparslan YASA | 219–239 |
| THE FRENCH LANGUAGE ABROAD: THE HISTORY OF THE DIFFUSION, MODELS & PRACTICES | Marie-Christine KOK ESCALLE | 241–254 |
| FRANCOPHONE LITERATURE: BOND BETWEEN THE PERIPHERY AND THE CENTER | Georges FRÉRIS | 265–273 |
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