| SNAKE IN RIDDLES | Seda GEDİK | 1–12 |
| A COMPARATIVE LITERARY STUDY OF THE NOVELISM OF VIRGINIA WOOLF AND JAMES JOYS | Abdullah ACEHAN | 13–28 |
| YAKUTISTAN/YAKUTS IN THE LIFE AND ART OF THE RUSSIAN AUTHOR ALEXANDR ALEKSEEVICH BESTUEV-MARLINSKY | Muvaffak DURANLI | 29–40 |
| ANIMAL CULT IN KAZAKHSTAN AND 12 ANIMAL PEOPLE CALENDAR | Gülmira KARİMOVA, Fikret TÜRKMEN | 41–47 |
| INTERMEDIATING FORMS THAT SYMBOLIZE SPIRITUAL POWER IN TURKISH CULTURE | Didem Gülçin ERDEM KÜK | 48–58 |
| HUNT, WATER AND TREE IN THE LEGENDS OF AZERBAIJANI TURKS FROM THE PERSPECTIVE OF ECOFOLKLORE | Seçkin SARPKAYA | 59–77 |
| THE REFLECTION OF THE IDEA OF TURANISM AND THE SUBJECT OF FOREIGN TURKS IN TURKISH POETRY BETWEEN 1973-1975: ÖTÜKEN JOURNAL EXAMPLE | Hasan Hüseyin GÖK, Ali PULAT | 78–100 |
| ORIGINS OF ROOT VALUES: A DİVANÜ LÛGAT-IT TÜRK REVIEW | Mehmet SOYUÇOK | 101–113 |
| FUNCTIONS OF NURSERY RHYMES AND CHILDREN'S GAMES COLLECTED IN THE VILLAGE OF ŞAMBAYADI | Fazıl ÖZDAMAR | 114–140 |
| "İBRİKLİ" IN CULTURAL TOURISM OF ARTVIN FROM TRADITION TO FUTURE | Mehmet Ali KESKİN | 141–152 |
| AN ANCIENT ART IN SANLIURFA: KAZAZLIK | Hanım Handan AĞIRMATLI, Hacer Nurgül BEGİÇ | 153–168 |
| SÜMERBAK NAZİLLİ PRINT-TEXTILE FACTORY AS A CULTURAL-CREATIVE INDUSTRY MODEL | Kübra YILDIZ ALTIN | 169–183 |
| THE IMPORTANCE OF WORD WEALTH IN MAHTUMKULU'S POEMS IN REFLECTING THE LIFE OF THE PERIOD: IN THE EXAMPLE OF PROFESSIONAL NAMES | Tagandurdy BEKJAYEV | 184–192 |
| TRANSFER OF METHODS FROM DIVAN LITERATURE RESEARCH TO FOLK LITERATURE RESEARCH AND A POEM BY ASHIK VEYSEL | Mehmet ÇEVİK | 193–207 |
| YAZILI KAYNAKLAR VE ANLATILAR IŞIĞINDA TÜRK MİTOLOJİSİ | Nurdan YEŞİLYURT | 208–210 |