Journals / Akdeniz İletişim
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Journals / Akdeniz İletişim
| Hande BİLSEL, Cansu YUNUS |
| 298–322 |
| COMPARATIVE INVESTIGATION OF THE PRESENTATION OF LOCAL ADMINISTRATIVE ELECTIONS ON MARCH 31, 2019 in “SABAH” and “SOZCU” NEWSPAPERS | Levent YAYLAGÜL | 323–339 |
| Re-presentation of Islamic Faith in Western Cinema in the Shadow of Common Definitions: Taken 2 | Mehmet Ali SEVİMLİ, Metin KASIM | 340–357 |
| The Relationship Between Credibility Perception and Information Sharing Behavior on Social Media | Erhan EROĞLU, Mehmet R. YILDIZGÖRÜR | 358–378 |
| An Early Evaluation about the Public Diplomacy of Turkey in USA: The Matter of Presentingour Country (1948) | Melih DUMAN | 379–397 |
| The Literary Journalism of George Orwell: An Analysis of ‘The Road to Wigan Pier’ | Meltem GÖNDEN | 398–419 |
| Vloggers as Social Media Influencers: Investigation of Vloggers in terms of Para-Social Relationship, Intention to Buy and Youtube Behaviour on Generation Z | Mine OYMAN, Semra AKINCI | 441–464 |
| In Context Of International News Flow And Media System; Broadcasters From International Media Organizations In Turkey | Murad Karaduman | 465–484 |
| A Qualitative Study on the Reasons of Digital Game Playing of University Students | Murat SAĞLAM, Füsun TOPSÜMER | 485–504 |
| The Social Security Problem As Homeless of The 21st Century: A Semiotical Examination on Advertising Campaigns Regarding ‘Homeless’ | Mustafa KARACA, Caner ÇAKI, Mehmet Ali GAZİ | 505–527 |
| An Attempt to Read the Concept of Emphaty Focusing on Dostoyevsky’s Novel Hero Prince Myshkin | Nazmiye KETE TEPE | 528–550 |
| A Panoramic View to Turkish Horror Cinema And Its Ideological Projections | Ozan Özpay | 551–567 |
| The Use of Classical Narrative Techniques in Christopher Nolan Cinema: The Example of Inception | ÖZCAN DEMİR | 568–588 |
| Ahmet Hamdi Tanpınar’s View On Journalism | Özge Cengiz | 589–605 |
| THE REPRESENTATION OF VIOLENCE IN TV SERIES’ TRAILERS BROADCASTED BY TURKEY’S NATIONAL CHANNELS | Pınar Özgökbel Bilis, Seda Sünbül Olgundeniz | 606–620 |
| A Model Proposal for Ad Likeability | Sefa ERBAŞ | 621–641 |
| The Presentation of Luxury Brand’s Talent Management on Corporate Web Pages as a Communication Vehicle: Comparative Assessment of Luxury Brands | Sevilay ULAŞ | 642–668 |
| A Reception Analysis On Netflix’s First Turkish Series “The Protector” | Sibel KARADUMAN, Elif Pınar ACİYAN | 669–687 |
| Construction of the Father Body in Advertising: The Case of Father’s Day | Süheyla AYVAZ | 688–709 |
| Motion Analysis of 3D Computer Animation by Using Laban Motion Analysis (LMA) Method: Review of “Rafadan Tayfa” TV Series | Çiğdem TAŞ ALİCENAP, Yasin ARSLAN | 710–733 |
| Professional Orientation After Journalism Education: A Research On Ege University Journalism Department Graduates Between 2010-2017 | Yurdagül Bezirgan ARAR | 734–768 |