| Agreement and Legal Basis of Sponsorship as a Public Relations Practice | Kahraman Kağan KAYA, Kadir CANÖZ, Ümmü Özlem ÇERÇİ | 15–28 |
| Space Representation Of The Film “Mute” In The Context Of Cyberpunk Genre | Ozan OTAN | 29–46 |
| The Effectiveness of Social Support Perceived in Social Media on Life Satisfaction: University Youth Research | Şükrü BALCI, Elif KAYA | 47–71 |
| A Research on the Changing Tv Series Industry from the Perspectives of the Screenwriters in Turkey | Sibel KARADUMAN, Pelin ODUNCU | 72–89 |
| Electronic Word-Of-Mouth Communication in the Context of Sponsored Content: a Qualitative Research | Yusuf Zafer Can UĞURHAN | 90–109 |
| Brand Placement in Turkish Tv Series: Example of Sadakatsiz Tv Series | Mert SUSUR, Murat TOKSARI | 110–127 |
| Video Streaming Platforms, Violence And Socio-Cultural Corruption During The Covid-19 Period: Saygı Series Case | Yağmur KÜÇÜKBEZİRCİ, Bahar URHAN | 128–142 |
| Yeni Bir Benlik Sunumu Aracı Olarak Twitter: Türkiye’de Çalışan Gazetecilerin Twitter Profil Bilgileri Üzerine Bir İnceleme | Can Bora GELBERİ | 143–158 |
| A Study on the Roadmap of Advertising During the Period of Industry 4.0 in Turkey | Engin COŞKUN, Betül ÇEPNİ ŞENER | 159–177 |
| Information Sources, Media Usage Habits and Attitudes Towards Vaccination in the COVID-19 Pandemic | Çağlar GENÇ | 178–202 |
| Human-Machine Communication (HMC) in Communication Studies: The Paradigm Shift and Essential Approaches | Bilge ŞENYÜZ | 203–220 |
| The Reflection of Children’s Covid-19 Perceptions to Their Drawings | Rengim SİNE NAZLI, Arzu KALAFAT ÇAT | 221–242 |
| An Analysis of Twiplomacy Activities Conducted by World Leaders | Aybike PELENK ÖZEL, Sema ÇAĞLAYAN | 243–267 |
| Personal Brand and Personal Branding: An Analysis of Google Doodles |