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Journals / Gaziantep Üniversitesi Sosyal Bilimler Dergisi / 2021 / Cilt: 20 - Sayı: 2

Rewriting “That Story:” Anne Sexton, Carol Ann Duffy, and Margaret Atwood

Burcu KAYIŞCI AKKOYUN
Pages
562–573
Publication Date
2021-04-27
DOI
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

This paper proposes that these revisionist strategies may help to forge an independent identity for women, artists and non-artists alike, and to generate the necessary critical response against the oppressive discourse of patriarchy.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:This paper examines the strategies Anne Sexton, Carol Ann Duffy, and Margaret Atwood employ in their revisionist mythmaking project to disclose and denounce the detrimental impact of patriarchal norms and institutions on women and gender equality.
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Key Findings & Data:The poets rewrite classical myths and fairy tales this time to tell the stories of those who have been excluded from historical and sociocultural narratives.
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Conclusion & Impact:This paper proposes that these revisionist strategies may help to forge an independent identity for women, artists and non-artists alike, and to generate the necessary critical response against the oppressive discourse of patriarchy.
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Feminist yeniden yazım · mit · masallar

Abstract

This paper examines the strategies Anne Sexton, Carol Ann Duffy, and Margaret Atwood employ in their revisionist mythmaking project to disclose and denounce the detrimental impact of patriarchal norms and institutions on women and gender equality. The poets rewrite classical myths and fairy tales this time to tell the stories of those who have been excluded from historical and sociocultural narratives. The new stories of Sexton, Duffy, and Atwood unsettle gender stereotypes with humorous and purposely bathetic plot twists and enable women to reject secondary roles historically attributed to them. Female characters in the poems reclaim their power through literary (re)creation by confronting male domination and internalized guilt over feelings of incompetence. This paper proposes that these revisionist strategies may help to forge an independent identity for women, artists and non-artists alike, and to generate the necessary critical response against the oppressive discourse of patriarchy.

Özet

Bu makale Anne Sexton, Carol Ann Duffy ve Margaret Atwood’un revizyonist mit yazımı projelerinde erkek egemen toplumun norm ve kurumlarının kadınlar ve toplumsal cinsiyet eşitliği üzerindeki olumsuz etkilerini ortaya çıkarmak ve reddetmek için kullandığı stratejileri ele alır. Şairler klasik mit ve masalları bu kez tarihsel ve sosyokültürel anlatılardan dışlananların göz ardı edilen hikayelerini anlatmak amacıyla yeniden yazarlar. Sexton, Duffy ve Atwood’un yeni hikayeleri toplumsal cinsiyet kalıplarını mizahi öğelerle ve ters köşelerle altüst eder ve kadınlara tarih boyunca atfedilen ikincil rolleri reddeder. Şiirlerdeki kadın karakterler erkek şiddeti ve yetersizlik hissinden kaynaklanan içselleştirilmiş suçluluk duygularıyla yüzleşerek edebi (yeniden) üretim aracılığıyla güçlerini geri kazanırlar. Bu makale bahsi geçen stratejilerin kadınların bağımsız kimlik inşasına katkıda bulunabileceğini ve erkek egemen düzenin baskıcı söylemine karşın elzem bir eleştirel karşılık oluşturabileceğini iddia eder.

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Cite This Article

AKKOYUN, B. K. (2021). Rewriting “That Story:” Anne Sexton, Carol Ann Duffy, and Margaret Atwood. Gaziantep Üniversitesi Sosyal Bilimler Dergisi, Cilt: 20 - Sayı: 2, 562–573. https://ajindex.com/articles/136831

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