| Jenerik Sayfası ve Editör Yazısı | Jenerik Ve EDİTÖR YAZISI | 1–1 |
| A RESEARCH TO DETERMINE RELATION BETWEEN eWOM SEARCH MOTIVATIONS AND ONLINE CORPORATE IMAGE PERCEPTION IN THE CONTEXT OF DIGITAL MARKETING COMMUNICATION | Murat KOÇYİĞİT,Murat ÇAKIRKAYA | 1–21 |
| A RESEARCH TO DETERMINE RELATION BETWEEN eWOM SEARCH MOTIVATIONS AND ONLINE CORPORATE IMAGE PERCEPTION IN THE CONTEXT OF DIGITAL MARKETING COMMUNICATION | Murat Çakırkaya, Murat Koçyiğit | 1–21 |
| THE EFFECT OF SOCIAL MEDIA USE ON POSITIVE EWOM COMMUNICATION OF INSTITUTION EMPLOYEES THROUGH PATH ANALYSIS: A STUDY ON THE SAMPLE OF MINISTRY OF FAMILY AND SOCIAL POLICIES | Bayram Oğuz AYDIN,Salih GÜRBÜZ | 22–41 |
| THE EFFECT OF SOCIAL MEDIA USE ON POSITIVE EWOM COMMUNICATION OF INSTITUTION EMPLOYEES THROUGH PATH ANALYSIS: A STUDY ON THE SAMPLE OF MINISTRY OF FAMILY AND SOCIAL POLICIES | Bayram Oğuz Aydın, Salih Gürbüz | 22–41 |
| ORGANIZATIONAL REPUTATION PERCEPTION OF INTERNAL STAKEHOLDERS OF THE UNIVERSITY: ORGANIZATIONAL REPUTATION RESEARCH OF THE BOLU ABANT İZZET BAYSAL UNIVERSITY | Kemal AVCI | 42–63 |
| ORGANIZATIONAL REPUTATION PERCEPTION OF INTERNAL STAKEHOLDERS OF THE UNIVERSITY: ORGANIZATIONAL REPUTATION RESEARCH OF THE BOLU ABANT İZZET BAYSAL UNIVERSITY | Kemal Avcı | 42–63 |
| REALITY IN MEDIA IN THE POST TRUTH AGE: PRESENTATION OF MAYA CALENDER RUMOR IN THE MEDIA | Özgehan ÖZKAN | 64–91 |
| REALITY IN MEDIA IN THE POST TRUTH AGE: PRESENTATION OF MAYA CALENDER RUMOR IN THE MEDIA | Özgehan Özkan | 64–91 |
| DEVELOPMENT PROCESS OF LOCAL PRESS IN TURKEY FROM OTTOMAN PERIOD TO PRESENT TIME | Olcay UÇAK,Abdi ERKAL | 92–122 |
| PRESENTATION OF THE NEWS ON LABOR ACTION IN TRADITIONAL AND ALTERNATIVE MEDIA | Tuba LİVBERBER | 123–141 |
| READING THE EMBODIED MEMORY IN NEWS OF COMMEMORATIVE SERVICE OF THE MARMARA EARTHQUAKE OF AUGUST THE 17TH | Persude ERDEM | 142–163 |
| READING THE EMBODIED MEMORY IN NEWS OF COMMEMORATIVE SERVICE OF THE MARMARA EARTHQUAKE OF AUGUST THE 17TH | Persude Erdem | 142–163 |
| INNOVATIVE DIRECTOR IN FRENCH NEW WAVE CINEMA JEAN LUC GODARD’S FILMS IDOLOJICAL DIMENSION | Erhan YILDIRIM,Aytekin CAN | 164–185 |
| INNOVATIVE DIRECTOR IN FRENCH NEW WAVE CINEMA JEAN LUC GODARD’S FILMS IDOLOJICAL DIMENSION | Erhan Yıldırım, Aytekin Can | 164–185 |
| ANALYSIS OF NEWS COURT PROGRAMS AS A TYPE OF DISCUSSION PROGRAMS: EXAMPLE OF ATV, TV8, STAR TV | Mete KAZAZ,Seher BAYAR | 186–198 |
| ANALYSIS OF NEWS COURT PROGRAMS AS A TYPE OF DISCUSSION PROGRAMS: EXAMPLE OF ATV, TV8, STAR TV | Mete Kazaz, Seher Bayar | 186–198 |
| WOMAN IN CINEMA: A REVIEW ONLOVE IN ANOTHER LANGUAGE | Mustafa ASLAN | 199–215 |
| WOMAN IN CINEMA: A REVIEW ONLOVE IN ANOTHER LANGUAGE | Mustafa Aslan | 199–215 |
| COUNTRY IMAGE IN MOVIES: A STUDY ON “HOLOGRAM FOR THE KING” MOVIE | Duygu DERSAN ORHAN,Elif EŞİYOK | 216–231 |
| COUNTRY IMAGE IN MOVIES: A STUDY ON “HOLOGRAM FOR THE KING” MOVIE | Duygu DERSAN ORHAN, Elif EŞİYOK | 216–231 |
| GENDER AND ITS DISCOURSE ON MEDIA: MARRIAGE PROGRAMS | Fatma YEŞİL,Arif YILDIRIM | 232–254 |
| GENDER AND ITS DISCOURSE ON MEDIA: MARRIAGE PROGRAMS | Fatma Yeşil, Arif Yıldırım | 232–254 |
| AN ANALYSIS OF A NATIONAL TELEVISION SERIES ON THE FINANCIAL LITERACY AND FINANCIAL SKILLS OF WOMEN | Özge GÜVEN AKDOĞAN | 255–275 |
| AN ANALYSIS OF A NATIONAL TELEVISION SERIES ON THE FINANCIAL LITERACY AND FINANCIAL SKILLS OF WOMEN | Özge Güven Akdoğan | 255–275 |
| CHILD HACKERS IN HOLLYWOOD CINEMA | Gökhan Gültekin | 276–293 |
| CHILD HACKERS IN HOLLYWOOD CINEMA | Gökhan Gültekin | 276–293 |
| THE EVOLUTION OF DIGITAL GAME INDUSTRY FROM 1980 TO 2017 AND CREATION OF ARTIFICIAL LIFE CYCLES | Ergin Şafak DİKMEN | 294–311 |
| THE MATRIX MOVIE, IN THE LIGHT OF REALITY, POWER AND HUMAN BODY CONSEPTS | Fatma ÖZTAT | 312–324 |
| THE MATRIX MOVIE IN THE LIGHT OF REALITY, POWER AND HUMAN BODY CONSEPTS | Fatma ÖZTAT | 312–324 |
| A STUDY ON ORAL HISTORY RELATING TO THE CINEMA VENUES IN SAMSUN | Esma GÖKMEN | 325–350 |
| A STUDY ON ORAL HISTORY RELATING TO THE CINEMA VENUES IN SAMSUN | Esma Gökmen | 325–350 |
| FAMILY IN YEŞİM USTAOĞLU’S FILMS: ANALYSIS OF ARAF AND TEREDDÜT FILMS | Semih SALMAN | 351–367 |
| FAMILY IN YEŞİM USTAOĞLU’S FILMS: ANALYSIS OF ARAF AND TEREDDÜT FILMS | Semih Salman | 351–367 |
| GENDER INEQUALITY AND WOMEN'S REPRESENTATION IN DAY TIME SHOWS FOR WOMEN | Ceren ÇAVDAR | 368–383 |
| GENDER INEQUALITY AND WOMEN'S REPRESENTATION IN DAY TIME SHOWS FOR WOMEN | Ceren Çavdar | 368–383 |
| AN EVALUATION ON REPRESENTATION OF WOMEN HEROES IN PRETTY GUARDIAN SAILOR MOON ANIME | Eylül ARSLAN | 384–404 |
| AN EVALUATION ON REPRESENTATION OF WOMEN HEROES IN PRETTY GUARDIAN SAILOR MOON ANIME | Eylül Arslan | 384–404 |
| ACCULTURATIVE STRESS OF INTERNATIONAL STUDENTS: AN APPLICATION ON AFRICAN STUDENTS STUDYING AT SELCUK UNIVERSITY | Bahar URHAN TORUN,Emrah BOZKURT | 405–424 |
| ACCULTURATIVE STRESS OF INTERNATIONAL STUDENTS: AN APPLICATION ON AFRICAN STUDENTS STUDYING AT SELCUK UNIVERSITY | Bahar Urhan Torun, Emrah Bozkurt | 405–424 |
| USING AND PERCEIVING EMOJI ON SOCIAL MEDIA: ANADOLU UNIVERSITY FACULTY OF COMMUNICATION CASE | Gülten ÖZDEMİR,Rüçhan GÖKDAĞ,Serdar NESLİHANOĞLU | 425–443 |
| Sosyal Medyada Emoji Kullanımı ve Anlamlandırılması: Anadolu Üniveristesi İletişim Fakültesi Örneği | Gülten ÖZDEMİR,Rüçhan GÖKDAĞ,Serdar NESLİHANOĞLU | 425–443 |
| THE OCCIDENTALIST DISCOURSE IN TURKISH CINEMA IN THE CONTEXT OF THE JULY 15 COUP ATTEMPT: THE EXAMPLE OF KURTLAR VADİSİ VATAN | Burak MEDİN | 444–464 |
| THE OCCIDENTALIST DISCOURSE IN TURKISH CINEMA IN THE CONTEXT OF THE JULY 15 COUP ATTEMPT: THE EXAMPLE OF KURTLAR VADİSİ VATAN | Burak Medin | 444–464 |
| THE INSTITUTE OF THE FOUNDATION AS A PUBLIC RELATIONS MECHANISM IN TURKISH GOVERNMENTAL TRADITION | Fuat Ustakara | 465–474 |
| THE INSTITUTE OF THE FOUNDATION AS A PUBLIC RELATIONS MECHANISM IN TURKISH GOVERNMENTAL TRADITION | Fuat USTAKARA | 465–474 |
| TURKISH PRESS IN STATE OF SIEGE PERIODS | Mehmet Sena Kösedağ | 475–501 |
| TURKISH PRESS IN STATE OF SIEGE PERIODS | Mehmet Sena KÖSEDAĞ | 475–501 |