| YEN KAPI SALVAGE EXCAVATIONS: NEOLITHIC AGE | Mehmet Ali POLAT, Zeynep KIZILTAN | 1–40 |
| HOUSE AND SETTLEMENT IN EARLY CHALCOLITHIC: AKTOPRAKLIK | Necmi KARUL | 41–50 |
| BARCIN HÖYÜK AND THE BEGINNINGS OF FARMING IN THE MARMARA REGION | Rana ÖZBAL, Laurens THİSSEN, Fokke GERRİTSEN | 51–66 |
| THE METAL PINS OF ACEMHÖYÜK IN THE SECOND MILLENIUM B.C. | F. Gülden EKMEN | 67–76 |
| LYDIA SANATI: BİR ANADOLU KRALLIĞINDA ÇEŞİTLİLİK VE KÜLTÜREL ETKİLEŞİM | R. Gül DEMİR GÜRTEKİN | 87–102 |
| CORNUCOPIA IN ANCIENT ART | Aynur CİVELEK | 103–112 |
| SOME REMARKS ABOUT GRAVE STELAI FROM ZEUGMA (SELEUCIA ON THE EUPHRATES) AND A GROUP OF NEW FINDS | Hüseyin YAMAN | 113–126 |
| CULT OF DIONYSOS | Berna ŞİRVAN | 127–136 |
| DAMATRYS PALACE VAULTED BUILDING RESTORATION PROJECT | Kutgün EYÜPGİLLER, Berk SÜREL | 137–154 |
| Bilecik Şeyh Edebali Üniversitesi Arkeoloji Uygulama Alanı | Deniz SARI | 173–178 |
| ENJOY THE TASTE OF FREEDOM WITH COMMANDARIA | Şevket ÖZNUR, Ejdan SADRAZAM | 179–184 |
| PROTECTION OF OIL PAINTINGS AGAINST HARMFUL RAYS IN EXPOSITIONS AND THE CASE OF LOUVRE NOTRE DAME MUSEUM | Burak BOYRAZ | 185–193 |