| The Problem of Realism and Animation in Documentaries | Barış Tolga EKİNCİ | 11–33 |
| The Power Struggle under the Stars: The Construction of Hegemony and Identity | Barış YETKİN | 34–63 |
| How Fashion Brands In Turkey Get In Contact With Their Target Groups Through Social Media And Their Customer Relation Management | Cudi Kaan OKMEYDAN, Beril AKINCI VURAL | 64–83 |
| Construction of Reality in the Media and Social Control | Berk ÇAYCI | 84–96 |
| Images, Icons, Myths and Deniz's in the Written Press | Elif ŞEŞEN | 97–116 |
| Political Economy of Local Magazine Press in Eskişehir: Examples of Follow and Motto Magazines | Nursen AYDIN, Erdal DAĞTAŞ | 117–139 |
| Evaluation of Neuromarketing Practices In Terms Of Ethical Context | Emine ŞARDAĞI, Gül Çoşkun DEĞİRMEN | 140–160 |
| The Relationship between New Media and Art: The Transformation of Cinema | Hasan GÜRKAN | 161–178 |
| Laughing To The Diffusing Brain Parts: Violence And Humor In Quentin Tarantino Films | Levent YILMAZOK | 179–193 |
| Analysıs Of Body Usage In György Pálfı's Taxıdermıa | Melike MÜHÜR | 194–210 |
| Uncoverıng Covert/Surreptıtıous Advertısıng | Mete ÇAMDERELİ, Nihal ŞENER KOCABAY | 211–224 |
| The Role Of The Demographic Characteristics Of Women's Attitudes Towards Being Used As Role Images In Ads | Nurhan TOSUN BABÜR, Yelda ÜLKER | 225–244 |
| Commodification of Female Body at Fashion Reality TV Shows | Özlem ÖZDEMİR | 245–270 |
| Workers Movements and Trade Unionism in Media: a Case Study on Tekel Protests | Eylem Tuna ÇOBAN, Serhat ÇOBAN | 271–293 |
| The Structural Transformation Of The Political Sphere In The Postmodern Period and The Postmodern Political Leadership |