Journals / Doğu Araştırmaları / 2016 / Sayı: 16

WOMEN İN RACHID DAIEF’S LITERATURE: “O.K. GOOD BYE” NOVEL

Fatima Parchekani(Kharazmi University, Faculty of literature, Arabic language and literature department, Tehran, Iran)
Pages
113–124
Publication Date
2016-01-01
DOI
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

An emerging character that develops throughout the novel and gradually reveals other parts of her personality.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:Rachid Daief is a Lebanese novelist whose writings were translated into13 languages and 2 of his writings was transformed into a play, and 2 into movies.
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Key Findings & Data:Women and their causes are almost the main axis that he bases women on and Arab-Lebanese women in particular.
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Conclusion & Impact:An emerging character that develops throughout the novel and gradually reveals other parts of her personality.
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Novel · Woman · Rachid Daief

Abstract

Rachid Daief is a Lebanese novelist whose writings were translated into13 languages and 2 of his writings was transformed into a play, and 2 into movies. Women and their causes are almost the main axis that he bases women on and Arab-Lebanese women in particular. This paper aims at studying women’s personalities, main ones in Rachid Daief’s novels. It appears that he treats women as free and modern, away from traditional stereo typing personality, which puts two patterns of women personalities in the Arab world; the old generation and the modern one. The main character in Daief’s novel is a woman who enjoys modernity and is active and has a great role in the motion of the novel, via direct effect on her own fate and being non-submitting. A woman that is proud of herself, ergo, a woman who makes man proud of her. An emerging character that develops throughout the novel and gradually reveals other parts of her personality.

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Cite This Article

Parchekani, F. (2016). WOMEN İN RACHID DAIEF’S LITERATURE: “O.K. GOOD BYE” NOVEL. Doğu Araştırmaları, Sayı: 16, 113–124. https://ajindex.com/articles/750652

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