The place where we see the grammer of plastic arts is nature as it is Nature acts in its pure form as a scales which seeks balance in contrasts Artistic thought begins with the objects that are closer to us Artist can go one step further in order to fragment reunite and interpret the object after the description of it The first point where the artist looks through is the nature being in the body itself and the pattern drawn through the live model Since this pattern in which is objectified by artist’ intutions creativity and the power of nature is the most important plastic elements
📌 3 Key Takeaways
🎯
Objective & Hypothesis:The place where we see the grammer of plastic arts is nature as it is Nature acts in its pure form as a scales which seeks balance in contrasts Artistic thought begins with the objects that are closer to us Artist can go one step further in order to fragment reunite and interpret the object after the description of it The first point where the artist looks through is the nature being in the body itself and the pattern drawn through the live model Since this pattern in which is objectified by artist’ intutions creativity and the power of nature is the most important plastic elements
📊
Key Findings & Data:The place where we see the grammer of plastic arts is nature as it is Nature acts in its pure form as a scales which seeks balance in contrasts Artistic thought begins with the objects that are closer to us Artist can go one step further in order to fragment reunite and interpret the object after the description of it The first point where the artist looks through is the nature being in the body itself and the pattern drawn through the live model Since this pattern in which is objectified by artist’ intutions creativity and the power of nature is the most important plastic elements
💡
Conclusion & Impact:The place where we see the grammer of plastic arts is nature as it is Nature acts in its pure form as a scales which seeks balance in contrasts Artistic thought begins with the objects that are closer to us Artist can go one step further in order to fragment reunite and interpret the object after the description of it The first point where the artist looks through is the nature being in the body itself and the pattern drawn through the live model Since this pattern in which is objectified by artist’ intutions creativity and the power of nature is the most important plastic elements
🔬Design:Modeling & Simulation
📍Scope:Comprehensive Sample
⚙️Variables:Domain Parameters
Abstract
The place where we see the grammer of plastic arts is nature as it is Nature acts in its pure form as a scales which seeks balance in contrasts Artistic thought begins with the objects that are closer to us Artist can go one step further in order to fragment reunite and interpret the object after the description of it The first point where the artist looks through is the nature being in the body itself and the pattern drawn through the live model Since this pattern in which is objectified by artist’ intutions creativity and the power of nature is the most important plastic elements
Özet
Plastik sanatların gramerini ilk gördüğümüz yer doğanın kendisidir. Doğa son derece yalın, dengeyi karşıtlıklarda arayan terazi gibidir. Artistik, sanatsal düşünme, en yakınımızdaki nesnelerle başlar. Nesneyi tanıdıktan sonra sanatçı parçalamaya, yeniden birleştirmeye, yorumlamaya geçebilir. İnsanın ilk bakacağı yer de içinde bulunduğu doğa ve kendi bedeni, canlı model üzerinden çizeceği desenidir. Çünkü desen onun bulduğu hayallerini, sezgilerini, yaratıcılığını, tasarım gücünü sabitlediği en önemli plastik elemandır.
🔖
Cite This Article
EMRALİ, D. R. (2007). Desen için ilk Ders. Çukurova Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, Cilt: 16 - Sayı: 2, 255–260. https://ajindex.com/articles/73988