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Journals / Frankofoni / 2011 / Cilt: 0 - Sayı: 23

BAUDELAIRE’S MEMORY: “CYGNE”-II

BAUDELAIRE HAFIZASI: “KUĞU”-II

M Emin ÖZCAN
Journal
Frankofoni
Pages
17–32
Publication Date
2022-11-05
DOI
—
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

The poem opens new doors for sociopolitical and historical interpretations

📌 3 Key Takeaways

🎯
Objective & Hypothesis:Among his poems Les Fleurs du Mal, “Cygne” have a very special place in relaying Baudelaire’s conception of time and memory.
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Key Findings & Data:The semantic details of poem show us the way the poet perceives the “eternal present” beyond the notion of time.
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Conclusion & Impact:The poem opens new doors for sociopolitical and historical interpretations
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Domain Parameters

Abstract

Among his poems Les Fleurs du Mal, “Cygne” have a very special place in relaying Baudelaire’s conception of time and memory. The semantic details of poem show us the way the poet perceives the “eternal present” beyond the notion of time. The essential poetic categories of Baudelaire’s “modernité” help us to verify Ricoeur’s assertions in his La mémoire, l’histoire, l’oubli. In “Cygne” the reader discovers the temporal movement from Antiquity to modernity into a conception and a vision of the world bringing to the forefront the essential Notion of “Modernité”. The poem opens new doors for sociopolitical and historical interpretations

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Cite This Article

ÖZCAN, M. E. (2022). BAUDELAIRE’S MEMORY: “CYGNE”-II. Frankofoni, Cilt: 0 - Sayı: 23, 17–32. https://ajindex.com/articles/650685

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References (1)

  1. Yerushalmi, Yosef Hayim, Zakhor. Histoire juive et mémoire juive, Gallimard, Tel dizisi, Fr. çev.: Eric Vigne, Paris, 1984, s.11. 2 Bkz. Frankofoni, 2010, sayı 22, s. 15 vd. 3 Bu “kayıp” konusunu Starobinski açıklıkla anlatır: Bkz. Starobinski, Jean, La mélancolie au miroir, Julliard, 1989 (Türkçesi: Aynada Melankoli, çev.: M. E. Özcan, Dost Kitabevi Yayınları, 2007). 4 Rossi, Paolo, Gemi Batıyor Seyreden Yok, İlerleme Fikri, Türkçesi. Durdu Kundakçı, Dost Kitabevi Yayınları, 2002, s. 93 (vurgu bize ait). 5 Bu terime ilişkin ayrıntılı açıklama için bkz. Jacques Derrida/Gianni Vattimo, La Religion, Seuil, Paris, 1996 (Türkçesi: Din, çev.: M. E. Özcan, Dost Kitabevi Yayınları, 2011). 6 Erman, Ayhan, CSO konser broşürü, 13-14 Ocak 2011, s. 5. 7 A.g.y. 8 A.g.y. 9 A.g.y., s. 5. Besteye ilişkin başka yorumlar da bu görüşü paylaşıyor: “Konçerto dört bölüm içerdiği halde, aslında tek muvmanlı bir eserdir”, bkz. Ewen, David, Ewen’s Musical Masterworks, The Encyclopedia of Musical Masterpieces, Arco Publishing, New York, 1954, s. 348. 10 Erman, a.g.y. 11 A.g.y. 12 Say, Ahmet, Müzik Ansiklopedisi, I. cilt, Müzik Ansiklopedisi Yayınları, Ankara, 2005, s. 15. 13 Erman, a.g.y. 14 Say, a.g.y., III. cilt, s. 253. 15 Say, a.g.y. 16 Erman, a.g.y. 17 Erman, a.g.y. 18 Drouilh, Paul, Histoire de la musique, Hachette, Paris, 1966, s. 100. 19 A.g.y.