Journals / Frankofoni / 2008 / Cilt: 0 - Sayı: 20

The source of Baudelaire: Hoffman and Diderot, the clown and the Nun-II

Journal
Frankofoni
Pages
27–38
Publication Date
2022-10-18
DOI
—
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

The first of those principles concern form, while the second turns into a conception and a world-vision bringing forth the essential notion: “modernité”.

📌 3 Key Takeaways

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Objective & Hypothesis:Among the sources of Baudelaire Hoffmann and Diderot take up a very special place because of their direct influence on the format of essentiel poetic categories of Les Fleurs du Mal.
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Key Findings & Data:Baudelaire discovered the principle of “double” in Princess Brambilla and in La Religieuse the principle of “Mal” .
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Conclusion & Impact:The first of those principles concern form, while the second turns into a conception and a world-vision bringing forth the essential notion: “modernité”.
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Domain Parameters

Abstract

Among the sources of Baudelaire Hoffmann and Diderot take up a very special place because of their direct influence on the format of essentiel poetic categories of Les Fleurs du Mal. Baudelaire discovered the principle of “double” in Princess Brambilla and in La Religieuse the principle of “Mal” . The first of those principles concern form, while the second turns into a conception and a world-vision bringing forth the essential notion: “modernité”.

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Cite This Article

ÖZCAN, M. E. (2022). The source of Baudelaire: Hoffman and Diderot, the clown and the Nun-II. Frankofoni, Cilt: 0 - Sayı: 20, 27–38. https://ajindex.com/articles/518262

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