SavedAdd your journal

Journals / Akademik Sanat / 2019 / Cilt: 4 Sayı: 8

İNGİLTERE MÜZELERİNDE İZNİK SERAMİK KOLEKSİYONLARININ OLUŞUMUNDA KOLEKSİYONERLERİN ETKİSİ

Tugba Diri Apaydın(İSTANBUL MEDENİYET ÜNİVERSİTESİ)0000-0001-9197-9098
Pages
134–159
Publication Date
2019-12-26
DOI
—
🏛️Bibliographic metadata and full text access for this article are provided via DergiPark.
DergiPark Record ↗
✨

AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

Bu çalışmada İngiltere’de koleksiyonlara miras, bağış ve satın alma aracılığıyla dâhil olan İznik üretimi seramik koleksiyonlarının oluşumunda koleksiyonerlerin payı üzerinde durulmuştur.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:Türkiye’de seramik üzerine yapılan bilimsel çalışmalarda seramiklerin teknik, motif ve kompozisyon özellikleri üzerinde durulurken; eserlerin edinme yöntemleri, koleksiyon sahibi kişiler ya da kurumlar genellikle geri planda kalmıştır.
📊
Key Findings & Data:Türkiye’de seramik üzerine yapılan bilimsel çalışmalarda seramiklerin teknik, motif ve kompozisyon özellikleri üzerinde durulurken; eserlerin edinme yöntemleri, koleksiyon sahibi kişiler ya da kurumlar genellikle geri planda kalmıştır.
💡
Conclusion & Impact:Bu çalışmada İngiltere’de koleksiyonlara miras, bağış ve satın alma aracılığıyla dâhil olan İznik üretimi seramik koleksiyonlarının oluşumunda koleksiyonerlerin payı üzerinde durulmuştur.
🔬Design:Araştırma Makalesi
📍Scope:Comprehensive Sample
⚙️Variables:İznik · Seramik · Koleksiyoner

Özet

Türkiye’de seramik üzerine yapılan bilimsel çalışmalarda seramiklerin teknik, motif ve kompozisyon özellikleri üzerinde durulurken; eserlerin edinme yöntemleri, koleksiyon sahibi kişiler ya da kurumlar genellikle geri planda kalmıştır. Bu çalışmada İngiltere’de koleksiyonlara miras, bağış ve satın alma aracılığıyla dâhil olan İznik üretimi seramik koleksiyonlarının oluşumunda koleksiyonerlerin payı üzerinde durulmuştur.

🔖

Cite This Article

Apaydın, T. D. (2019). İNGİLTERE MÜZELERİNDE İZNİK SERAMİK KOLEKSİYONLARININ OLUŞUMUNDA KOLEKSİYONERLERİN ETKİSİ. Akademik Sanat, Cilt: 4 Sayı: 8, 134–159. https://ajindex.com/articles/1443207

📄 Full Text PDF Viewer

📄

PDF görüntüleyici hazırlanıyor...

References (63)

  1. Anonim,1896. Catalogue of the Oriental Antiquities and Curiosities Composing the Collection of the late Mr W. H. Wrench, C.M.G. of Constantinople. Arms and Carpets, Embroideries, Clocks and Watches, Enamels, Silver and Metal Work, Pictures,- Tiles, Pottery and Sundries.
  2. ARTUN, Ali, 2012. Tarih Sahneleri: Sanat Müzeleri 1, Müze ve Modernlik, İletişim Yayınları: İstanbul.
  3. Ashmolean Museum,1981. Eastern Ceramics and Other Works of Art from the Collection of Gerald Reitlinger: Catalogue of the Memorial Exhibition Published by Ashmolean Museum & Sotheby Parke Bernet, Oxford.
  4. ATASOY, Nurhan, RABY, Julian,1989. İznik, Alexandria Press: Londra,1989.
  5. AVERY, Louise,1944. “Chinese Porcelain in English Mounts”, The Metropolitan Museum of Art Bulletin, vol. 2, no. 9, s.266–272.
  6. BLOOM, Jonathan M., BLAIR, Sheila S.,2009.“Godman Frederick Ducane.", Grove Encyclopedia of Islamic Art and Architecture, Volume 3. Oxford University Press., s. 117–118.
  7. CARSWELL, John, 1998. Iznik Pottery,British Museum Press: Londra.
  8. CAYGILL, Marjorie,1985. Treasures of the British Museum, British Museum Press: Londra.
  9. _________, Marjorie, “Creating a Great Museum: Early Collectors and the British Museum”, Erişim Tarihi: 15.02.2017.
  10. CHRİSTİE'S, The Collection of Rhodian, Damascus, Persian and Hispano-Mauro Faience of the Late Joseph Dixon, Londra, 1911. COPPEL, Stephen, 2004. “Salting, George (1835–1909)”, Oxford Dictionary of National Biography, Oxford University Press: Oxford. DARCEL, Alfred Darcel, DELANGE, Henri, 1869. Recueil des Faiences Italiennes, Paris.
  11. DENNY, Walter B, 2004. Iznik: The Artistry of Ottoman Ceramics, Thames & Hudson: Londra.
  12. DENNY, Walter B., “Frederick Du cane Godman”, Oxford Grove Art Online, Erişim Tarihi: 17.07.2019.
  13. DICKSON, William Kirk,1901. The Life of Major-General Sir Robert Murdoch Smith, Edinburgh.
  14. ELWES, H.J.,1923. “Obituary Notices of Fellows Deceased” Proceedings of the Royal Society of London. Series B, Containing Papers of a Biological Character (1905-1934). 91 (641):i–xxxvii.
  15. FORTNUM, Charles Drury, 1870. “On a Lamp of "Persian Ware" Made for the Mosque of Omar at Jerusalem in 1549”, Archaeologia, s.387-397.
  16. FRANKS, Augustus Wollaston, 1860. “Communucation (on persian Ware)”, Society of Antiquaries, 16 Şubat, s.94-96.
  17. _______, Augustus Wollaston,1896. Catalogue of a collection of Continental Porcelain, 1826-1897, Printed for H.M. Stat. Off. by Eyre and Spottiswoode: Londra.
  18. GADOIN, Isabelle,2011. “British Collectors of Persian Art in the 19th century: from personal culture to Oriental taste ?”, Res Orientales, Vol. XX, 2011, s.121-134.
  19. ________, Isabelle,2012. “George Salting (1835-1909) and the discovery of Islamic ceramics in 19th-century England”, Miranda, 7, s. 1-20.
  20. GLANVİLLE, Philippa,1990. Silver in Tudor and early Stuart England: a Social History and Catalogue of the National Collection, Victoria and Albert Museum: Londra.
  21. GODMAN, Frederick Du Cane, 1901. The Godman collection of Oriental and Spanish Pottery and Glass, 1865-1900, Taylor and Francis: Londra.
  22. ________, Frederick Du Cane, 1903. “Lustre Ware and the Godman Collection,” Connoisseur, vii,s. 21–25.
  23. HELFGOTT, Leonard,1990. “Carpet Collecting in Iran, 1873-1883: Robert Murdoch Smith and the Formation of the Modern Persian Carpet Industry”, Muqarnas VII: An Annual on Islamic Art and Architecture, s.171-181.
  24. HENDERSON, John, 1868. Works of Art in Pottery, Glass, and Metal in the Collection of John Henderson, Cundall&Fleming: Londra.
  25. HERMANN, Frank, 2009. “Collecting Then and Now: The English and Some Other Collectors”, Journal of the History of Collections, 21, 2, 263-269.
  26. HOARE, O,1983. "The Godman Collection", 'Christie's Review of the Year', 1983, s.390-394.
  27. JENYNS, Soame, 1953. “The Franks Collection of Oriental Antiquties”, The British Museum Quarterly, Vol. 18, No. 4, December, s. 103-106.
  28. LANE, Arthur,1957. Later Islamic Pottery: Persia, Syria, Egypt, Turkey, Faber and Faber: Londra.
  29. LEFEVRE, Ralph N. James,1868. National Exhibition of Works of Art, at Leeds, 1868: Official Catalogue, Leeds.
  30. LITCHFIELD, Frederick, Pottery & porcelain, a Guide to Collectors; containing nearly two hundred illustrations of specimens of various factories, nine coloured plates, and marks and monograms of all the important makers, Truslove&Hanson: Londra.
  31. LUNN, Richard, 1903. Pottery: A Practical Hand-book for Art Teachers and Students, Chapman and Hall: Londra.
  32. _______,Richard,1910. Pottery: A Practical Hand-book for Art Teachers and Students Vol 2, Decoration of Pottery, Chapman and Hall: Londra.
  33. MARKS, Richard,1988. Burrell: Portrait of a Collector, Glasgow.
  34. NORWICH, John Julius,1985.The Burrell Collection, Collins; Revised Reprint edition, Glasgow.
  35. PANAYOTOVA, Stella, 2008. I Turned it into a Palace: Sydney Cockerell and The Fitzwilliam Museum, The Fitzwilliam Museum: Cambridge.
  36. PIERSON, Stacey J., 2017. Private Collecting, Exhibition and the Shaping of Art History in London: The Burlington Fine Arts Club, Routledge: Londra.
  37. PIOTROVSKY, Mikhail B., VRIEZE, John,1999. Earthly Beauty, Heavenly Art: The Art of Islam, Lund Humphries: Amsterdam. READ, Charles Hercules, 1901,“Franks, Augustus Wollaston”, Dictionary of National Biography, s.240-243.
  38. _______, Charles Hercules,1907. Exhibition of the Faience of Persia and the Nearer East, London: the Burlington Fine Arts Club, Londra.
  39. _______, Charles Hercules, 1908. Illustrated Catalogue of the Faience of Persia and the Nearer East, Londra: Burlington Fine Arts Club.
  40. ________,Charles Hercules, 1910. “George Salting”, The Burlington Magazine for Connoisseurs, Vol. 16, No. 83, Şubat, 1910,s. 250-251. ________,Charles Hercules, 1928. Catalogue of the silver plate: Mediaeval and Later; Bequeathed to the British Museum by Sir Augustus Wollaston Franks, British Museum Press: Londra.
  41. REITLINGER, Gerald, 1932. A Tower of Skulls: a Journey Through Persia And Turkish Armenia.
  42. __________, Gerald, 1935. “Islamic Pottery from Kish”, Ars İslamica, no.2, s.198-218.
  43. __________, Gerald, 1935. “Islamic Glazed Pottery from Kish”, Third International Congress on Persian art and Archaeology, Leningrad, s. 197-201.
  44. __________, Gerald, 1938. “The Interim Period in Persian Pottery: an Essay in Chronological Revision”, Ars Islamica, 5, s. 155-178.
  45. __________, Gerald, 1944-1945. “Sultanabad: Classification and Chronology”, Transactions of the Oriental Ceramic Society, vol. 20, s. 25-34.
  46. __________, Gerald, 1963. “The Economics of Taste”, Ars Islamica, vol. 2, Londra, s. 214-272.
  47. ROBERTS, Mary,2018. ”Artists, Amateurs, and the Pleated Time of Ottoman Modernity”, Time in the History of Art Temporality, Chronology and Anachrony, Routledge:Newyork, s. 79-100.
  48. ROGERS, Micheal,1985. “A Group of Ottoman Pottery in the Godman Bequest”, The Burlington Magazine, Vol. 127,No.984, Mart, s. 134-145.
  49. SOUSTIEL, Jean,1985. La céramique Islamique, Fribourg, Office du Louvre: Fransa.
  50. SMITH, R. Murdoch,1876. Persian Art, South Kensington Museum Art Handbooks, Londra.
  51. SMITH, R. Murdoch,1876. Catalogue of Persian Objects in the South Kensington Museum, Londra.
  52. TANNER, Andrea,1999. “The Last of the Fortnums”, Journal of the History of Collections,no 2, s. 147-157.
  53. VANKE, Francesca,1999. “The Contribution of C. D. E. Fortnum to the Historiography and Collecting of Islamic Ceramics”, Journal of the History of Collections, 11/2, s.219-231.
  54. Victoria and Albert Museum Guides,1911. The Salting Collection, Londra.
  55. WALLIS, Henry, 1885. Burlington Fine Arts Club, Illustrated Catalogue of Specimens of Persian and Arab Art Exhibited in 1885, Burlington Fine Arts Club: Londra.
  56. WARD, Rachel,1997. “Islamism, not an Easy Matter”, AW. Franks Nineteenth Century Collecting and the British Museum, ed: Marjorie CAYGILL ve John CHERRY, British Museum Press: Londra, s. 272-285.
  57. WATSON, Oliver,1994. Studio Pottery, Phadion Press:Newyork.
  58. WILSON, R. H. Pinder, 1953. “ John Henderson”, The British Museum Quarterly, Vol. 18, No. 2 Haziran, s. 59-60.
  59. WILSON, Timothy, 2004. ‘Fortnum, Charles Drury Edward (1820–1899). Oxford Dictionary of National Biography. Oxford: Oxford University Press.
  60. WOOD, Thomas, 2005. Curiosities of the Search-Room: A Collection of Serious and Whimsical Wills, New Jersey: the Lawbook Exchange.
  61. GLANVİLLE, Philippa,1990. Silver in Tudor and early Stuart England: a Social History and Catalogue of the National Collection, Victoria and Albert Museum: Londra.
  62. HOARE, O,1983. "The Godman Collection", 'Christie's Review of the Year', 1983, s.390-394.
  63. ROBERTS, Mary,2018. ”Artists, Amateurs, and the Pleated Time of Ottoman Modernity”, Time in the History of Art Temporality, Chronology and Anachrony, Routledge:Newyork, s. 79-100.