Dergiler / Journal of Education and Future / 2013 / Sayı: 3

Chopin’in “Fantasie İmpromptu”nun (Op. Posth. 66) Formal ve Armonik Bakımdan Analizi

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Sayfa
121–126
Yayın Tarihi
2013-06-01
DOI
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⚡ TL;DR(1 Cümlede Hızlı Çıkarım)

This study will absolutely make the pianists to perform this piece more consciously and needless to say, gain the ability and be able to carry out and express what the composer's conception was

📌 3 Maddede Bu Makale

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Amaç & Hipotez:In this article, Chopin's Fantasie-Impromptu (Op.
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Temel Bulgular & Veri:Posth.66) has been analyzed both structually and harmonically.
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Sonuç & Katkı:This study will absolutely make the pianists to perform this piece more consciously and needless to say, gain the ability and be able to carry out and express what the composer's conception was
🔬Tür:Araştırma Makalesi
📍Kapsam:Genişletilmiş Akademik Örneklem
⚙️Değişkenler:Chopin’s Fantasie Impromptu · structural and harmonical study

Abstract

In this article, Chopin's Fantasie-Impromptu (Op. Posth.66) has been analyzed both structually and harmonically. Fantasie-Impromptu, is one of the most performed piece among Chopin's other works and the major beauty is because it is based on a balanced form. In this piece, each section is separated into sub-sections and outlined schematically. This study will absolutely make the pianists to perform this piece more consciously and needless to say, gain the ability and be able to carry out and express what the composer's conception was

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Bu Makaleye Atıf Yap

MUNZUR, M. (2013). Chopin’in “Fantasie İmpromptu”nun (Op. Posth. 66) Formal ve Armonik Bakımdan Analizi. Journal of Education and Future, Sayı: 3, 121–126. https://ajindex.com/articles/137632

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Kaynakça (2)

  1. Stein, Leon. (1979). The Study and Analysis of Musical Forms. U.S.A: Summy-Birchard Inc. Eigeldinger, Jean-Jacques. (1989). Chopin;Pianist and Teacher. Cambridge University Press Spencer, Peter – Temko, Peter M. (1994). Practical Approach to the Study of Form in Music. Waveland Pr Inc. Caplin, William E - Webster, James. (2009).
  2. Musical Form, Forms and MusikLehre; Three Methodologicial Reflections. Leuven University Press Berry, Wallace. (1987). Structural Functions in Music. Dover Publications Editor: Zimmermann, Ewald – Theopold, Hans M. (1974). Chopin Impromtus