Journals / Journal of Education and Future / 2013 / Sayı: 3

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Chopin’in “Fantasie İmpromptu”nun (Op. Posth. 66) Formal ve Armonik Bakımdan Analizi

Pages
121–126
Publication Date
2013-06-01
DOI
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

This study will absolutely make the pianists to perform this piece more consciously and needless to say, gain the ability and be able to carry out and express what the composer's conception was

📌 3 Key Takeaways

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Objective & Hypothesis:In this article, Chopin's Fantasie-Impromptu (Op.
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Key Findings & Data:Posth.66) has been analyzed both structually and harmonically.
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Conclusion & Impact:This study will absolutely make the pianists to perform this piece more consciously and needless to say, gain the ability and be able to carry out and express what the composer's conception was
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Chopin’s Fantasie Impromptu · structural and harmonical study

Abstract

In this article, Chopin's Fantasie-Impromptu (Op. Posth.66) has been analyzed both structually and harmonically. Fantasie-Impromptu, is one of the most performed piece among Chopin's other works and the major beauty is because it is based on a balanced form. In this piece, each section is separated into sub-sections and outlined schematically. This study will absolutely make the pianists to perform this piece more consciously and needless to say, gain the ability and be able to carry out and express what the composer's conception was

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Cite This Article

MUNZUR, M. (2013). -. Journal of Education and Future, Sayı: 3, 121–126. https://ajindex.com/articles/137632

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References (2)

  1. Stein, Leon. (1979). The Study and Analysis of Musical Forms. U.S.A: Summy-Birchard Inc. Eigeldinger, Jean-Jacques. (1989). Chopin;Pianist and Teacher. Cambridge University Press Spencer, Peter – Temko, Peter M. (1994). Practical Approach to the Study of Form in Music. Waveland Pr Inc. Caplin, William E - Webster, James. (2009).
  2. Musical Form, Forms and MusikLehre; Three Methodologicial Reflections. Leuven University Press Berry, Wallace. (1987). Structural Functions in Music. Dover Publications Editor: Zimmermann, Ewald – Theopold, Hans M. (1974). Chopin Impromtus