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The Temporal World - a shadow play - Court and Urban Shadow Plays of the 11th to 14th Centuries

Terrance Michael Patrick Duggan
Sayfa
83–91
Yayın Tarihi
2011-06-30
DOI
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⚡ TL;DR(1 Cümlede Hızlı Çıkarım)

The shadow play was and remains a visible expression of tawheed, as "The mover of all was only One", as stated by al-Qadi al-Fadil to Salahad-Din Eyyub in the 12th century.

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Amaç & Hipotez:This article draws attention, through quotations cited from contemporary fıgures, to the importance of the shadow plays of the 10th to 14th c. and of the attention drawn to the significance of shadows in the temporal world that is provided by Sura Al-Nahl and Sura Al-Furqan.
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Temel Bulgular & Veri:This is because the key point about the shadow play was and remains its form and the hierarchy of existence that is expressed through its form.
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Sonuç & Katkı:The shadow play was and remains a visible expression of tawheed, as "The mover of all was only One", as stated by al-Qadi al-Fadil to Salahad-Din Eyyub in the 12th century.
🔬Tür:Araştırma Makalesi
📍Kapsam:Genişletilmiş Akademik Örneklem
⚙️Değişkenler:Shadow of God · Shadow plays · Shadows

Özet

This article draws attention, through quotations cited from contemporary fıgures, to the importance of the shadow plays of the 10th to 14th c. and of the attention drawn to the significance of shadows in the temporal world that is provided by Sura Al-Nahl and Sura Al-Furqan. This is because the key point about the shadow play was and remains its form and the hierarchy of existence that is expressed through its form. The shadow play was and remains a visible expression of tawheed, as "The mover of all was only One", as stated by al-Qadi al-Fadil to Salahad-Din Eyyub in the 12th century.

Abstract

This article draws attention, through quotations cited from contemporary fıgures, to the importance of the shadow plays of the 10th to 14th c. and of the attention drawn to the significance of shadows in the temporal world that is provided by Sura Al-Nahl and Sura Al-Furqan. This is because the key point about the shadow play was and remains its form and the hierarchy of existence that is expressed through its form. The shadow play was and remains a visible expression of tawheed, as "The mover of all was only One", as stated by al-Qadi al-Fadil to Salahad-Din Eyyub in the 12th century.

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Bu Makaleye Atıf Yap

Duggan, T. M. P. (2011). The Temporal World - a shadow play - Court and Urban Shadow Plays of the 11th to 14th Centuries. Akdeniz İnsani Bilimler Dergisi, Cilt: 1 Sayı: 1, 83–91. https://ajindex.com/articles/1358814

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Kaynakça (6)

  1. Aminrazavi, M. (2009). The wine of wisdom: The life, poetry and philosophy of Omar Khayyam. Oxford: Oneworld Publication.
  2. And, M. (1999). Traditional performances in Turkey. The traditional Turkish theater, 39, 7-52. Ankara: Kültür ve Turizm Bakanlığı Yayınları.
  3. And, M. (2004). An important cultural heritage: Karagöz 13-41 in, Ed. M. Sabri Koz, Yıktın perdeyi eyledin vıran, torn is the curtain, shattered is the screen, the stage all in ruins. İstanbul: Yapı Kredi Karagöz Koleksiyonu, Yapı Kredi Yayınları.
  4. Arberry, A. J. (1977). Discourses of Rumi, New York: Samuel Weiser.
  5. Arık, R. (2000). Kubad abad. İstanbul: İş Bankasi Yayınları.
  6. Arnold, T. W. (1965). Painting in Islam, A study of the place of pictorial art in Muslim Culture. New York: Dover.