| EXAMINING ARTS AND CINEMA RELATION THROUGH MUSIC’S POINT OF VIEW: “ALL THE MORNINGS OF THE WORLD” | Ali Sait LİMAN | 211–222 |
| THE EFFECT OF COLOR FACTOR ON DRESSING ROOM DESIGN; EXAMPLE OF KONYA METROPOLITAN MUNICIPALITY STADIUM | Ali AKÇAOVA,Kerim ÇINAR | 223–239 |
| COMPATIBILITY OF NEW ADDITIONS DESIGN ATTACHED TO HISTORIC BUILDINGS: ELBPHILHARMONIE CULTURE CENTER | Ayşegül KAÇAR,Fatih SEMERCİ | 240–257 |
| SAMPLE OF CULTURE-ART VILLAGE: EXAMINATION OF THE HOUSES IN KONYA/SONSUZ ŞÜKRAN VILLAGE | Dila YEŞİLYURT,Rabia KÖSE DOĞAN | 258–279 |
| ÖZEL SEKTÖR KURULUŞLARINDA HALKLA İLİŞKİLERİN ETKİNLİĞİNİ ÖLÇME: YEREL VE ULUSLARARASI SİGORTA ŞİRKETLERİ ÜZERİNE BİR ARAŞTIRMA | ENGİN ÇELEBİ | 280–290 |
| MEASURING THE EFFECTIVENESS OF PUBLIC RELATIONS IN PRIVATE SECTOR ORGANIZATIONS: A RESEARCH ON LOCAL AND INTERNATIONAL INSURANCE COMPANIES | Engin ÇELEBİ | 280–290 |
| WHY DID THE SOVIET UNION DISPERSE? | Girayalp KARAKUŞ | 291–299 |
| MAKING THE LANDMARK OF THE CITY VISIBLE: AN ILLUMINATING DIALOGUE FROM MAIDEN’S TOWER TO MAIDEN’S CASTLE | Gizem Nur GÜNGÖR,Tuba AKAR | 300–315 |
| METAVERSE AND SELF-REPRESENTATION | GÜL DİLEK TÜRK,Serkan BAYRAKCI,Elif AKÇAY | 316–333 |
| TÜRKİYE'DE SANAT GALERİLERİNİN KARŞILAŞTIRMALI SOSYAL MEDYA ANALİZİ | Hanzade URALMAN,Deniz AKÇAY | 334–349 |
| COMPARATIVE SOCIAL MEDIA ANALYSIS OF THE ART GALLERIES IN TURKEY | Hanzade URALMAN, Deniz AKÇAY | 334–349 |
| ARE CRITICAL THEORY AND RED PILL MOVEMENT COMPATIBLE? | Meltem İŞLER SEVİNDİ,Atilla AKALIN | 350–362 |
| THE EFFECT OF THE COVİD-19 VACCINE-RELATED INFODEMIC ON INDIVIDUALS' DECISION TO VACCINATE | MERVE ERGÜNEY,Betül KARA | 363–382 |
| AN EXAMPLE OF A DIJITAL DISEASE: CAUSES OF THE “ZOOM” FATIGUE AND ITS EFFECTS ON EMPLOYEES | Nur Emine KOÇ |