| The other watching own-self: self-orientalist approaches on folk culture representations | EVRİM ÖLÇER ÖZÜNEL | 5–16 |
| Poems with fuzûlî penname in the context of oral culture and written culture in cönk and mecmua | TUĞÇE ERDAL | 17–28 |
| Lipogram and minstrel poetry | AHMET ÖZGÜR GÜVENÇ | 29–42 |
| Lullaby as cultural memory transmitter | Emine Kırcı UĞURLU | 43–52 |
| A public reading about the functionality of well in folk narratives | ADEM BALKAYA | 53–64 |
| Humorous criticism of religious authority in karavellis | MEHMET ALİ YOLCU | 65–73 |
| Türkiyede Türk halk müziğinin günümüzdeki kullanımları ve işlevleri | Liselotte SELS | 74–85 |
| Tradational Mardin s entertainment: Leyli night s | Hatice Kübra UYGUR | 86–98 |
| Tradational Mardins entertainment: Leyli nights | HATİCE KÜBRA UYGUR | 86–98 |
| The Turkish proverbs for the perception of climate and geography | UFUK KARAKUŞ | 99–109 |
| The reflection of folk wisdom into Turkish language at the markets and bazaars | YUSUF DOĞAN | 110–123 |
| Peak of the Turkish official banquet culture: The glorious banquets held in honor of empress of france eugénie (1869) | MEHMET YILDIZ | 124–137 |
| The social and spatial reflections of culinary culture on traditional Diyarbakır houses | Havva ÖZYILMAZ,İCLAL ALUÇLU,CAN TUNCAY AKIN | 138–153 |
| Vernacular architectural heritage of Turkish folk culture beeyards | MEHMET UYSAL,YAVUZ ARAT | 154–167 |
| Sacred trees and tombs in siirt folk culture | Rezan KARAKAŞ | 168–179 |
| Bütüncül türk budunbilimine doğru* Dede Korkut'ta renkler | Serpil CENGİZ AYGÜN,Sevinç GÜLÇİÇEK,Aysun Ezgi BÜLBÜL |