| THE ARMADA PORTRAIT: COSTUME AND THE BODY POLITIC | Esra MELİKOĞLU | 1–10 |
| WOMAN AS NOMAD: AN ALTERNATIVE CONFIGURATION OF FEMALE SUBJECTIVITY | Özden SÖZALAN | 11–20 |
| THE CHALLENGES OF TRANSLATING THE METAMORPHIC FEMALE IMAGE IN ELIZABETH SMART'S NOVELS | Alev BULUT | 21–36 |
| E. L. DOCTOROW'S THE BOOK OF DANIEL: TOWARDS A POSTMODERN CONCEPTION OF JUSTICE | Oya BERK | 37–48 |
| A UNIQUE GENRE IN ENGLISH LETTERS: THE MEMOIRS OF OTTOMAN WOMEN | Oğuz CEBECİ | 49–60 |
| THE SIGNIFICANCE OF THE HUMAN GAZE IN ANITA BROOKNER'S LOOK AT ME | Canan ŞAVKAY | 61–74 |
| THE TRUTH, THE WHOLE TRUTH': THE RELATION OF PARTS TO THE WHOLE IN THE RING AND THE BOOK | Yıldız KILIÇ | 75–94 |
| THE DISSOLUTION OF VALUE AND MEANING IN JOHN BARTH'S THE FLOATING OPERA | Hasine ŞEN | 95–104 |
| CRIME, DETECTION, AND THE RESTORATION OF ORDER: A STUDY IN WILKIE COLLINS'S THE MOONSTONE | Arpine MIZIKYAN | 105–120 |
| RUS YAZININDA "SLAVCILIK" DÜŞÜNCESi | Emine İNANIR | 121–134 |
| YAPISALCILIK SONRASI YAKLAŞIMLAR VE ÇEViRiBiLiM | Ayşe ECE | 135–152 |
| iVAN GONÇAROV: OBLOMOV'UN DÜNYASINA BiR BAKIŞ | Türkân OLCAY | 153–168 |
| URSULA LE GUIN'iN MÜLKSÜZLER'iNDE ÜTOPYANIN DEĞiŞEN YÜZÜ | Kudret YUNUSOĞLU | 169–182 |
| İÇERİK DÜZENLEME | İçerik DÜZELTME | 183 |