| Susan Evance’in Melankoliye Sonesinde Melankolik Karakter | Öznur YEMEZ | 105–120 |
| The Confession of the Other: Mohsin Hamid’s The Reluctant Fundamentalist | Marıya SHYMCHYSHYN | 121–138 |
| Mohsin Hamid’in Exit West Romanı Işığında Göçmen Yazını ve Çeviri | Hilal ERKAZANCI | 139–164 |
| Abbé Pierre’s Journey | Gül BAYSAN (TEKAY) | 165–182 |
| Emotion as Sensation and Feeling in Maupassant’s La Peur | Simay TURAN | 183–200 |
| The Exploitation of Phenomena Related to Enunciation in a French as a Foreign Language Course Book: The ÉditoExample | Can DENİZCİ | 201–228 |
| The Burial of Ambivalence in Edgar Allan Poe’s The Cask of Amontillado | Merve GÜNDAY,Nurten BİRLİK | 229–248 |
| Ten Thousand Ways of Survival and Healing: Reading Ten Thousand Sorrows: The Extraordinary Journey of a Korean War Orphanas An Example of Minor Literature | Duygu Beste BAŞER ÖZCAN | 249–266 |
| Symbols of a Perfect Chaos in Markus Zusak’s Bridge of Clay: Through Traumatic Past to Better Future | Oksana BOHOVYK,Andrıı BEZRUKOV | 267–294 |
| Screening of Asta Nielsen Films in Istanbul | Oya KASAP ORTAKLAN | 295–316 |
| Possibilities of the Phraseological Consideration of One-Word Idioms from the Perspective of Phraseological Criteria on the Basis of Slovak and German Examples | Anita BRAXATORİSOVÁ | 317–340 |
| Müzikal Tiyatro ve Filmlerde Şarkı Çevirisi: Karşılaştırmalı Bütünleşik bir Yaklaşımın Uygulanması | Neslihan KANSU-YETKİNER,Mehmet ŞAHİN | 341–378 |
| Poetry of Exile of Spain: Sentimental Chronicle of an Exile | Zeynep ÖNAL | 379–406 |
| Edebiyatta Mimarlık ve Anıtsallık: İvo Andriç’in Drina Köprüsü Örneği | Hadis ABDULA,Zeynep AYGEN | 407–434 |
| 1940’lı Yılların Türkiye’sinde Batı Edebiyatına Adımlar | Servet TİKEN | 435–456 |
| Women’s Rewriting: The Woman Destroyed by Simone de Beauvoir and A Frozen Woman by Annie Ernaux | Eylem AKSOY ALP | 457–475 |
| A Review of Queer Women in Modern Spanish Literature: Activism, Sexuality and the Otherness of the “Chicas Raras” | Marıa Jesus HORTA SANZ | 477–487 |