| AN ANALYSIS ON YE SHENGTAO'S “BAY PAN IN DISTRESS” STORY IN MODERN CHINESE LITERATURE | İsmigül CANTÜRK | 98–1006 |
| ZIYA GOKALP'S UNDERSTANDING OF SCIENCE | Vural BAŞARAN, Remzi DEMİR | 612–628 |
| CULTURAL IMPERIALISM: AN EXAMINATION OF THE HISTORY OF A CONCEPT IN TURKEY (1960-1980) | H. Seçkin ÇELİK | 629–675 |
| ITALIANS AND SOME EUROPEAN ARTISTS IN THE SHADOW OF ABDULHAMID KHAN | Nevin ÖZKAN, Raniero SPEELMAN | 676–705 |
| SCIENTIFIC AND CRITICAL ARTICALS OF SUBHİ EDHEM IN THE MAGAZINE OF BEŞER VE TABİAT | Bilal YURTOĞLU | 706–746 |
| THE TRIAL OF AKIF PASHA: IS THIS THE IMPLEMENTATION OF THE TANZIMAT OR A POLITICAL SHOWDOWN? | Ebubekir KEKLİK | 747–773 |
| KARL MARX'S CONCEPT OF ALIENATION INFLUENCE ON EPIC THEATRE MUSIC | Ayşegül DİNÇ | 774–788 |
| HISTORICAL SUBLIME AND POSTMODERN NOVEL: JOHN BANVILLE'S THE SEA AS A METAHISTORICAL ROMANCE | Baysar TANİYAN | 789–816 |
| THE POTTER OF A STORY: MAZHAR UL ISLAM (BASIC STYLISTIC FEATURES IN THE STORIES OF MAZHAR UL ISLAM) | Davut ŞAHBAZ, Angelica D'ALESSANDRI | 817–840 |
| BREAKING THE SILENCE: WOMAN AS A SUBJECT IN PAT BARKER'S THE SILENCE OF THE GIRLS | Merve ALTIN | 841–863 |
| TRACING SPANISH FEMINISM IN PETRA DELICADO DETECTIVE NOVEL SERIES | Zeliha DURAN | 864–883 |
| RECORDS RELATED TO FLOODS AND DAM CONSTRUCTION AND REPAIR IN ROYAL DOCUMENTS OF MARI | İrfan ALBAYRAK, Esma ÖZ KİRİŞ, Hakan EROL | 884–903 |
| PASSAGES OF ECONOMIC MIGRANTS IN CARYL PHILLIPS' THE FINAL PASSAGE AND TÜRKLER ALMANYA'DA BY BEKIR YILDIZ | Abdullah Nejat TÖNGÜR, Yıldıray ÇEVİK | 904–919 |
| CLASSICAL OR MODERN? DÜRRENMATT'S DETECTIVE COMMISSAR BÄRLACH | Betül YALÇINKAYA AKÇİT | 920–938 |
| THE NEGOTIATIONS OF OTTOMAN STATE WITH THE WHITEHEAD AND SIMS COMPANIES ABOUT TORPEDOES |