Journals / Dil ve Tarih-Coğrafya Fakültesi Dergisi
Dil ve Tarih-Coğrafya Fakültesi DergisiSosyal
Reading the catalog.
Journals / Dil ve Tarih-Coğrafya Fakültesi Dergisi
| Kübra VURAL ÖZBEY |
| 232–256 |
| A PSYCHOLOGICAL AUTOPSY OF HESTER SWANE IN 1MARINA CARR'S BY THE BOG OF CATS... | Kübra VURAL ÖZBEY | 232–256 |
| ÇAĞDAŞ ROMANA DELEUZYEN BİR BAKIŞ: BAZI SORULAR | ZEKİYE ANTAKYALIOĞLU ER | 257–269 |
| A DELEUZEAN APPROACH TO CONTEMPORARY FICTION: SOME QUESTIONS | Zekiye ANTAKYALIOĞLU | 257–269 |
| İNSAN-MERKEZCİLİĞE MEYDAN OKUMA: SAKI'NİN “SREDNI VASHTAR” ADLI ÖYKÜSÜNDE ANİMİZM KULLANIMI | ADEM BALCI | 270–282 |
| CHALLENGING ANTHROPOCENTRISM: SAKI'S USE OF 1ANIMISM IN HIS “SREDNI VASHTAR | Adem BALCI | 270–282 |
| THE TROTSKY OPPOSITION AND ITS REFLECTIONS ON THE KOMSOMOL | BURCU ÖZDEMİR | 283–300 |
| PERCEPTIONS OF “TAŊRI” AND “ALLAH” DURING THE ISLAMIZATION PROCESS OF THE TURKS | HAYRETTİN İHSAN ERKOÇ | 301–326 |
| LANGUAGE AND THE WORLD OF MYTHOS: AN INVESTIGATION ON THE ARCHEOLOGY OF CULTURE | KUBİLAY HOŞGÖR | 327–352 |
| THE MORPHOMETRIC ANALYSIS OF YAKACIK RIVER BASIN (HATAY) | Suzan ALTIPARMAK,Necla TÜRKOĞLU | 353–374 |
| OLUŞUM AŞAMASINDAKİ SANATÇI: JAMES JOYCE'UN “SANATÇININ BİR GENÇ ADAM OLARAK PORTRESİ” ESERİNDE STEPHEN'IN ÖZ-KİMLİK ARAYIŞI | SEÇİL ERKOÇ | 375–389 |
| AN ARTIST IN THE MAKING: STEPHEN'S SEARCH FOR SELF-IDENTITY IN JAMES JOYCE'S A PORTRAIT OF THE ARTIST AS A YOUNG MAN | Seçil ERKOÇ | 375–389 |
| BATTLES OF CTESIPHON (KÛTÜ'L-AMARA) AT THE IRAQI FRONT IN WORLD WAR I ACCORDING TO THE FRENCH PRESS | FATMA UYGUR | 390–408 |
| BATTLES OF CTESIPHON (KÛTÜ'L-AMARA) AT THE IRAQI FRONT IN WORLD WAR I ACCORDING TO THE FRENCH PRESS | Fatma UYGUR | 390–408 |
| A GENERAL OVERVIEW ON RESEARCH ON HOMOPHOBIA IN TURKEY | İREM METİN ORTA,Selin Metin CAMGÖZ | 409–439 |
| READING RELATION OF MODERNITY AND SPACE THROUGH VIRGINIA WOOLF'S AND ARNOLD BENNETT'S WORKS | DEMET KARABULUT | 440–461 |
| OPEN GOVERNMENT AND OPEN GOVERNMENT IMPLEMENTATIONS: AN EVALUATION OF PUBLIC INSTITUTIONS IN TURKEY | ŞAHİKA EROĞLU | 462–495 |
| THE FIGHT FOR INDEPENDENCE OF CONGO AND PATRICE LUMUMBA FROM AIME CESAIRE'S PERSPECTIVE: “A SEASON IN CONGO” | Ece YASSITEPE AYYILDIZ | 496–511 |
| THE FIGHT FOR INDEPENDENCE OF CONGO AND PATRICE LUMUMBA FROM AIME CESAIRE'S PERSPECTIVE: “A SEASON IN CONGO” | Ece YASSITEPE AYYILDIZ | 496–511 |
| RHETORICAL FIGURES IN SERGEI DOVLATOV'S WORKS | ZULFİYA ŞAHİN | 512–533 |
| RHETORICAL FIGURES IN SERGEI DOVLATOV'S WORKS | Zulfiya ŞAHİN | 512–533 |
| PUBLIC LIBRARIES AS A SOCIAL CULTURE INSTITUTION: A SITUATION MAP OF ÇANKIRI PUBLIC LIBRARIES IN TERMS OF FACILITIES AND SERVICES | COŞKUN POLAT,MEHMET ALİ AKKAYA | 534–570 |
| “BÜYÜK UMUTLAR” ROMANINDA SUÇ VE SUÇLULARIN ELE ALINIŞ BİÇİMİNE RETORİĞE DAYALI ANLATIBİLİMSEL BİR YAKLAŞIM | ELZEM NAZLİ,ELİF ÖZTABAK AVCI | 571–594 |
| A RHETORICAL NARRATOLOGICAL APPROACH TO THE TREATMENT OF CRIME AND CRIMINALS IN GREAT EXPECTATIONS | Elzem NAZLİ, Elif ÖZTABAK AVCI | 571–594 |
| DESCRIPTION OF THE PHILATELIC MATERIALS | HAKAN ANAMERİÇ | 595–622 |
| A COMPARISON OF ITEM- AND CONTEXT-NOISE MODELS IN RECOGNITION MEMORY | Sinem AYTAÇ,Aslı KILIÇ | 623–640 |
| THE PROBLEM OF EVIL IN PLATO'S PHILOSOPHY | Ülker ÖKTEM | 641–661 |
| AN ANALYSIS OF AL-TAYYIB SALIH'S “MAWSIM AL-HIJRAH ILA AL-SHAMAL” | ESAT AYYILDIZ | 662–689 |
| AN ANALYSIS OF AL-TAYYIB SALIH'S “MAWSIM AL-HIJRAH ILA AL-SHAMAL” | Esat AYYILDIZ | 662–689 |
| BİLİM SİHİRİN YERİNİ ALINCA: DAVID MORLEY'İN BİLİM ŞİİRLERİ | MERVE SARI | 690–709 |
| WHEN MAGIC IS REPLACED WITH SCIENCE: SCIENCE 1POEMS OF DAVID MORLEY | Merve SARI | 690–709 |
| FEMİNİST TİYATRODA SÜFRAJETTEN ÇOK SESLİLİĞE: PAM GEMS'İN “DUSA”, “FISH”, “STAS AND VI” BAŞLIKLI TİYATRO ESERİ | ÖZDEN DERE | 710–731 |
| FROM SUFFRAGETTE TO DIVERSITY OF VOICES IN FEMINIST DRAMA: PAM GEMS'S DUSA, FISH, STAS AND VI | Özden DERE | 710–731 |
| “AH ZALİMLİK BU, FESLEĞEN SAKSIMI BENDEN ALMAK!”: YAS SÜRECİNİN JOHN KEATS'IN “ISABELLA, YA DA FESLEĞEN SAKSISI”NDAKİ YANSIMASI | Azime PEKŞEN YAKAR,Dilek DEMİRTEPE SAYGILI | 732–741 |
| “OH, CRUELTY, TO STEAL MY BASIL-POT AWAY FROM ME!”: THE REFLECTION OF BEREAVEMENT IN JOHN KEATS' ISABELLA, OR THE POT OF BASIL | Azime PEKŞEN YAKAR, Dilek DEMİRTEPE SAYGILI | 732–741 |
| ANTİK SÜMER'E YOLCULUK: JENNIFER J. GARRITY'NİN TARİHİ ÇOCUK ROMANI “SECRET OF THE SCRIBE”DE GEÇMİŞİN YENİDEN İNŞASI | ESRA ÇÖKER | 742–756 |
| A JOURNEY TO ANCIENT SUMER: THE RECONSTRUCTION OF THE PAST IN JENNIFER J. GARRITY'S HISTORICAL CHILDREN'S NOVEL SECRET OF THE SCRIBE | Esra ÇOKER | 742–756 |
| AMERİKALI YAZARLARIN IRAK SAVAŞI (2003-2011) ANLATILARINDA IRAKLI “ÖTEKİ” TEMSİLİ | MERVE ÖZMAN KAYA | 757–774 |
| REPRESENTATIONS OF THE IRAQI “OTHER” IN THE IRAQ 1WAR (2003-2011): MEMOIRS WRITTEN BY AMERICANS | Merve ÖZMAN KAYA | 757–774 |
| ARCHIVAL DOCUMENTS RELATING TO SUHARA WILLAGE MOSQUE IN ÇILDIR DISTRICT OF ARDAHAN | ÖZLEM ORAL PATACI | 775–803 |
| SHAKESPEARE'İN “MEASURE FOR MEASURE” ADLI OYUNUNA YENİDEN BAKIŞ: ADALET KONUSU AÇISINDAN PROBLEM OYUNU | EMİNE SEDA ÇAĞLAYAN MAZANOĞLU | 804–821 |
| REVISITING SHAKESPEARE'S MEASURE FOR MEASURE: 1A PROBLEM PLAY IN TERMS OF THE ISSUE OF JUSTICE | Emine Seda ÇAĞLAYAN MAZANOĞLU | 804–821 |
| HERKES VE ORTALAMA HERGÜNKÜLÜK: VIRGINIA WOOLF'UN “DALGALAR” ROMANINA HEİDEGGERCİ BİR YAKLAŞIM | HAKAN YILMAZ | 822–843 |
| THE THEY AND AVERAGE EVERYDAYNESS: A HEIDEGGERIAN APPROACH TO VIRGINIA WOOLF'S THE WAVES | Hakan YILMAZ | 822–843 |
| THE IMPACT OF PROXIMITY FORMS ON KNOWLEDGE, LEARNING AND INNOVATION PROCESSES IN SECTORS WITH DIFFERENT KNOWLEDGE BASES: A CASE STUDY OF ESKİŞEHİR | FATİH ALTUĞ,MUTLU YILMAZ | 844–881 |
| IDENTITY AND SEX DETERMINATION WITH ANTHROPOMETRIC MEASUREMENTS TAKEN FROM PHOTOGRAPHS AND FACES | SEÇİL SAĞIR | 882–904 |
| SPECTERS OF LEVIATHAN: SCHMITT AND NEUMANN ON LAW AND STATE | TOROS GÜNEŞ ESGÜN | 905–930 |
| “RIDE AND TIE”: LOOKING AT HORSES IN THE ENGLISH NOVEL THROUGH POSTHUMAN EYES | SİNAN AKILLI | 931–954 |
| CONTEXT REPETITION DOES NOT CHANGE THE SEQUENTIAL CONGRUENCY EFFECT WHEN THERE IS A STIMULUS-RESPONSE CONTINGENCY | ASLI BAHAR İNAN,Nart Bedin ATALAY,MİNE MISIRLISOY | 955–972 |
| ELIZA HAYWOOD'UN “LOVE IN EXCESS OR, THE FATAL ENQUIRY” VE ELIZABETH INCHBALD'UN “A SIMPLE STORY” ROMANLARINDA KADIN GÜCÜNÜN İMK AN(SIZLIĞ)I | KÜBRA BAYSAL | 973–991 |
| IM/POSSIBILITY OF FEMALE EMPOWERMENT IN ELIZA HAYWOOD'S NOVEL LOVE IN EXCESS OR, THE FATAL ENQUIRY AND ELIZABETH INCHBALD'S NOVEL A SIMPLE STORY | Kübra BAYSAL | 973–991 |
| A UNIQUE ECONOMIC ACTOR TYPE IN ANATOLIA: “HOMO KAYSERICUS” | ERCAN GEÇGİN | 992–1022 |
| THE CONCEPT OF MEMORY IN MEDIEVAL CHRISTIAN THOUGHT AND MYSTERY PLAYS: THE YORK CYCLE | CANDAN KIZILGÖL | 1023–1044 |
| BATIYA ÖZGÜ TRAVMA YAZINBİLİMİ VE SIERRA LEONE'A ÖZGÜ İYİLEŞME YOLLARI ARASINDAKİ KORELASYONLAR: AMINATTA FORNA'NIN “THE MEMORY OF LOVE” İSİMLİ ROMANI | MERVE SARIKAYA ŞEN | 1045–1057 |
| CORRELATIONS BETWEEN WESTERN TRAUMA POETICS AND SIERRA LEONEAN WAYS OF HEALING: AMINATTA FORNA'S THE MEMORY OF LOVE | Merve SARIKAYA ŞEN | 1045–1057 |
| SORUMLULUK ÖLÇEĞİ'NİN PSİKOMETRİK ÖZELLİKLERİNİN DEĞERLENDİRİLMESİ | MERVE TOPCU,Burak ÖGE,FARUK GENÇÖZ | 1058–1080 |
| PSYCHOMETRIC PROPERTIES OF THE RESPONSIBILITY SCALE | Burak ÖGE, Faruk GENÇÖZ, Merve TOPCU | 1058–1080 |
| BAKANIN GÖZÜNDE: EDITH WHARTON'IN “ETHAN FROME” İSİMLİ ROMANINDA MATTIE SILVER | OLGAHAN BAKŞİ YALÇIN | 1081–1100 |
| IN THE EYE OF THE BEHOLDER: MATTIE SILVER IN EDITH WHARTON'S ETHAN FROME | Olgahan BAKŞİ YALÇIN | 1081–1100 |
| JANE AUSTEN'IN ROMANLARI ÜZERİNE BİR ARAŞTIRMA: EVLİLİKTEKİ SOSYO-EKONOMİK GÜDÜLER VE KADIN YAŞAMINA ETKİLERİ | Filiz BARIN AKMAN | 1101–1127 |
| AN INVESTIGATION OF SOCIO-ECONOMIC INCENTIVES AND IMPLICATIONS OF MATRIMONY ON WOMEN'S LIVES IN JANE AUSTEN'S NOVELS | Filiz BARIN AKMAN | 1101–1127 |
| SESSİZ BİR DİRENİŞ: DORIS LESSING'İN “ÇATIDAKİ KADIN” ADLI KISA ÖYKÜSÜNDE NESNELEŞTİRME VE GÜÇ SAVAŞI | ASYA SAKİNE UÇAR | 1128–1137 |
| A SILENT RESISTANCE: OBJECTIFICATION AND A CLASH OF EMPOWERMENT IN DORIS LESSING'S “A WOMAN ON A ROOF | Asya Sakine UÇAR | 1128–1137 |
| A CONTENT ANALYSIS OF ONLINE JOB ADVERTISEMENTS FOR PRIVATE SECTOR EMPLOYMENT OF GRADUATES OF INFORMATION AND RECORDS MANAGEMENT DEPARTMENTS IN TURKEY | NESLİHAN ER KOÇOĞLU | 1138–1160 |
| USE OF GRAMMATICAL COHESION IN ARGUMENTATIVE ESSAYS | BİLGE ÖZTÜRK | 1139–1168 |