This paper explores the topics of identity, alienation, and cultural hegemony in Yakup Kadri Karaosmanoğlu’s Bir Sürgün (An Exile) set in the first decade of the 20th century by focusing on the miserable protagonist Doktor Hikmet’s dispositional depiction as an earnest adherent of Western Civilization embodied in the epithet of Jeune Turc, gradual disillusionment, and eventual failure with reference to the backdrop of sociological atmosphere as well as historical circumstances by which Doktor Hikmet’s frame of mind is extensively influenced and against which the novel is set.
📌 3 Key Takeaways
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Objective & Hypothesis:This paper explores the topics of identity, alienation, and cultural hegemony in Yakup Kadri Karaosmanoğlu’s Bir Sürgün (An Exile) set in the first decade of the 20th century by focusing on the miserable protagonist Doktor Hikmet’s dispositional depiction as an earnest adherent of Western Civilization embodied in the epithet of Jeune Turc, gradual disillusionment, and eventual failure with reference to the backdrop of sociological atmosphere as well as historical circumstances by which Doktor Hikmet’s frame of mind is extensively influenced and against which the novel is set.
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Key Findings & Data:This paper explores the topics of identity, alienation, and cultural hegemony in Yakup Kadri Karaosmanoğlu’s Bir Sürgün (An Exile) set in the first decade of the 20th century by focusing on the miserable protagonist Doktor Hikmet’s dispositional depiction as an earnest adherent of Western Civilization embodied in the epithet of Jeune Turc, gradual disillusionment, and eventual failure with reference to the backdrop of sociological atmosphere as well as historical circumstances by which Doktor Hikmet’s frame of mind is extensively influenced and against which the novel is set.
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Conclusion & Impact:This paper explores the topics of identity, alienation, and cultural hegemony in Yakup Kadri Karaosmanoğlu’s Bir Sürgün (An Exile) set in the first decade of the 20th century by focusing on the miserable protagonist Doktor Hikmet’s dispositional depiction as an earnest adherent of Western Civilization embodied in the epithet of Jeune Turc, gradual disillusionment, and eventual failure with reference to the backdrop of sociological atmosphere as well as historical circumstances by which Doktor Hikmet’s frame of mind is extensively influenced and against which the novel is set.
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Jön Türkler · Kültürel Egemenlik · Paris
Abstract
This paper explores the topics of identity, alienation, and cultural hegemony in Yakup Kadri Karaosmanoğlu’s Bir Sürgün (An Exile) set in the first decade of the 20th century by focusing on the miserable protagonist Doktor Hikmet’s dispositional depiction as an earnest adherent of Western Civilization embodied in the epithet of Jeune Turc, gradual disillusionment, and eventual failure with reference to the backdrop of sociological atmosphere as well as historical circumstances by which Doktor Hikmet’s frame of mind is extensively influenced and against which the novel is set.
Özet
Bu makale, Yakup Kadri Karaosmanoğlu’nun 20.yüzyılın başlarında geçen Bir Sürgün başlıklı romanının tipik bir Jön Türk portresi çizen şanssız baş kahramını Doktor Hikmet’in zihin dünyası, kademeli olarak yaşadığı hayal kırıklığı ve kendi ölümüyle sonuçlanan hezimeti üzerinde yoğunlaşarak kimlik, yabancılaşma ve kültürel üstünlük konularını irdelemektedir. Bu bağlamda, romanın geçtiği ve Doktor Hikmet’in karakterinin şekillenmesinde de önemli rol oynayan dönemin toplumsal iklimi ve tarihi koşulları da dikkate alınıp bunlara değinilmiştir.
SAY, E. (2017). IDENTITY, ALIENATION, AND CULTURAL HEGEMONY IN YAKUP KADRİ KARAOSMANOĞLU’S BİR SÜRGÜN (AN EXİLE). Littera Turca Journal of Turkish Language and Literature, Cilt: 3 - Sayı: 2, 169–181. https://ajindex.com/articles/837089
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