SavedAdd your journal

Journals / Sahne ve Müzik / 2018 / Sayı: 6

SCHENKERIAN ANALYSIS OF J. S. BACH’S BWV 254 CHORALE HARMONISATION ACCORDING TO LORI BURNS’ APPROACH

J. S. BACH, BWV 254 KORAL ARMONİZASYONUNUN LORİ BURNS YÖNTEMİNE GÖRE ŞENKERYAN ANALİZİ

Mehmet YÜKSEL
Ferhat ÇAYLI
Pages
53–71
Publication Date
2018-01-30
DOI
—
🏛️Bibliographic metadata and full text access for this article are provided via DergiPark.
DergiPark Record ↗
✨

AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

Bach’s chorale harmonizations of modal cantus firmi” (1991).

📌 3 Key Takeaways

🎯
Objective & Hypothesis:Bach’s chorale harmonization of cantus firmus “Ach Gott, erhör’ mein Seufzen” (BWV 254) was analyzed in a Schenkerian perspective that was suggested in Lori Burns’ dissertation “J.S.
📊
Key Findings & Data:Bach’s chorale harmonization of cantus firmus “Ach Gott, erhör’ mein Seufzen” (BWV 254) was analyzed in a Schenkerian perspective that was suggested in Lori Burns’ dissertation “J.S.
💡
Conclusion & Impact:Bach’s chorale harmonizations of modal cantus firmi” (1991).
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Şenkeryan analiz · J. S. Bach · Eolyen

Abstract

In this paper, J. S. Bach’s chorale harmonization of cantus firmus “Ach Gott, erhör’ mein Seufzen” (BWV 254) was analyzed in a Schenkerian perspective that was suggested in Lori Burns’ dissertation “J.S. Bach’s chorale harmonizations of modal cantus firmi” (1991).

Özet

Bu makalede, J. S. Bach’ın “Ach Gott, erhör’ mein Seufzen” adlı koral armonizasyonunun (BWV 254) Şenkeryan analizi gerçekleştirilmiştir. Söz konusu analizde, Lori Burns’ün “J. S. Bach’s chorale harmonizations of modal cantus firmi” (1991) adlı doktora tezinde sunulan yöntem temel alınmıştır.

🔖

Cite This Article

YÜKSEL, M., ÇAYLI, F. (2018). SCHENKERIAN ANALYSIS OF J. S. BACH’S BWV 254 CHORALE HARMONISATION ACCORDING TO LORI BURNS’ APPROACH. Sahne ve Müzik, Sayı: 6, 53–71. https://ajindex.com/articles/798871

📄 Full Text PDF Viewer

📄

PDF görüntüleyici hazırlanıyor...

References (5)

  1. 371 vierstimmige Choralgesänge von Johann Sebastian Bach. (4th ed.). A. Dörffel (Ed.). Leipzig: Breitkopf & Härtel, [c. 1875]. Bartel, D. (1997). Musica poetica: musical-rhetorical figures in German Baroque music. Lincoln: University of Nebraska Press.
  2. Burns, L. A. (1991a). J.S. Bach's chorale harmonizations of modal cantus firmi (Volume I). Doktora tezi, Harvard University, Cambridge. Burns, L. A. (1991b). J.S. Bach's chorale harmonizations of modal cantus firmi (Volume II). Doktora tezi, Harvard University, Cambridge. Cœurdevey, A. (1993). L'analyse schenkerienne et ses frontières. Revue de Musicologie, 79(1), 5-30.
  3. Cook, N. (2007). The Schenker Project: Culture, Race, and Music Theory in Fin-de-siecle Vienna. Oxford: Oxford University Press.
  4. Knipphals, H.-J., & Möller, D. (1995). Johann Sebastian Bach, der Choralsatz: ein Lehrwerk. Wolfenbüttel: Möseler. Philips, E. R. (1981). Pitch Structures in a Selected Repertoire of Early German Chorale Melodies. Music Theory Spectrum, 3, 98-116.
  5. Schenker, H. (1954). Harmony (O. Jonas, Çev.; E. M. Borgese Ed.). Chicago: University of Chicago Press.