Journals / Frankofoni / 2015 / Cilt: 0 - Sayı: 27

A HISTORICAL PLAY BY ADAMOV: PAOLO PAOLI

Journal
Frankofoni
Pages
371–382
Publication Date
2022-10-18
DOI
—
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

The criticism of capitalist society that begins with Marxism composes the heart of Paolo Paoli.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:Adamov, who writes on the absurdity of humans in his first works moves towards Brecht’s epic theater with his play entitled Paolo Paoli (1951) This play is viewed as the first of a new stage of writing and displays all economic, social and political dimensions of the period between 1900- 1914.
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Key Findings & Data:In Paolo Paoli composed of 12 parts in every part the reasons behind the 1.st World War, the relations between the national powers causing war are reflected.
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Conclusion & Impact:The criticism of capitalist society that begins with Marxism composes the heart of Paolo Paoli.
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Domain Parameters

Abstract

Adamov, who writes on the absurdity of humans in his first works moves towards Brecht’s epic theater with his play entitled Paolo Paoli (1951) This play is viewed as the first of a new stage of writing and displays all economic, social and political dimensions of the period between 1900- 1914. In his plays following this initial one history takes the place of the portrayal of personal pains. In Paolo Paoli composed of 12 parts in every part the reasons behind the 1.st World War, the relations between the national powers causing war are reflected. The criticism of capitalist society that begins with Marxism composes the heart of Paolo Paoli.

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Cite This Article

KOCAMAN, Ş. (2022). A HISTORICAL PLAY BY ADAMOV: PAOLO PAOLI. Frankofoni, Cilt: 0 - Sayı: 27, 371–382. https://ajindex.com/articles/518057

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References (9)

  1. Adamov, Arthur, Paolo Paoli, Théâtre III, Gallimard, Paris 1957
  2. Adamov, Arthur, Ici et maintenant, Gallimard, Paris, 1964
  3. Arthur Adamov, L’Homme et l’enfant, Gallimard, Paris, 1968
  4. Abirached, Robert, Lectures d’Adamov, Editions Jean-Michel Place, Paris, 1983
  5. Assad Chahine, Samia, Regard sur le théâtre d’Arthur Adamov, A.G. Nizet, Paris, 1981
  6. Barthes, Roland, Cahiers Renaud-Barrault, déc. 1957
  7. Gaudy, Rene, Arthur Adamov, Théâtre Ouvert Stock, 1971
  8. Mélèse Pierre, Adamov, Seghers, Paris, 1973
  9. Pruner, Michel, L’Analyse du texte de théâtre, Dunod, Paris, 1998.