Journals / Sosyoloji Araştırmaları Dergisi / 2016 / Cilt: 19 - Sayı: 1

"BANA MI BAKMIŞTINIZ?": INTERNETTE YENI BAKIŞ BIÇIMLERI

"ARE YOU LOOKING FOR ME?" NEW FORMS OF GAZING ON THE INTERNET

Pages
74–95
DOI
—
🏛️Bibliographic metadata and full text access for this article are provided via DergiPark.
DergiPark Record ↗
✨

AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

Communicational fluctuations lead, little by little, to dehumanization of the gaze which gives way to new behaviors that may be, in certain cases, tragic for the individual

📌 3 Key Takeaways

🎯
Objective & Hypothesis:Today, screens are everywhere and allow individuals to see and be in contact constantly with the world.
📊
Key Findings & Data:New technologies have allowed them to ubiquitously display themselves.
💡
Conclusion & Impact:Communicational fluctuations lead, little by little, to dehumanization of the gaze which gives way to new behaviors that may be, in certain cases, tragic for the individual
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Domain Parameters

Abstract

Today, screens are everywhere and allow individuals to see and be in contact constantly with the world. New technologies have allowed them to ubiquitously display themselves. They can be everywhere at the same time, sharing opinions and photos, appreciating or hating, seeing and being seen by the other, even from a faraway country, with just one click. Through these interactions, new forms of viewing seem to have emerged: new technologies make the image into a thing that is looked at as at a staged actor. The eye is distracted by what it sees on the surface and does not seek to capture the image's deeper meaning. Communicational fluctuations lead, little by little, to dehumanization of the gaze which gives way to new behaviors that may be, in certain cases, tragic for the individual

Özet

Bugün, ekranlar her yerde ve bireyler dünya ile ilgili her şeye, istedikleri zaman erişebiliyorlar. Yeni teknolojiler sayesinde, aynı zamanda, çeşitli faaliyetlerde bulunabilirler: birbirleriyle iletişime girip, her konu üzerine fikir beyan edebilirler; dünyadaki olaylardan haberdar olabilirler; kendi fotoğraflarını paylaşıp, başkalarınınkine de tek bir klik aracıyla bakıp beğenebilirler. Yeni iletişim teknolojileriyle gelen bu tür etkileşimler, yeni "bakış" biçimlerini meydana çıkarttı: artık, İnternette her birey, kendini ortaya koyan ve bakışları üzerine toplamak isteyen bir faile dönüşmektedir. Fakat sanal âlemde göz, birçok uyarıcıya maruz kaldığından dolayı, dikkatini toplayamaz ve gördüğünün derin anlamını kavrayamaz. Bu durumda, bakış yavaş yavaş insandışılaştırılır ve bazı durumlarda birey için tehlikeli olabilecek yeni davranışlara (siber taciz gibi) yol açar

🔖

Cite This Article

DİLMAÇ, J. A. (2016). "BANA MI BAKMIŞTINIZ?": INTERNETTE YENI BAKIŞ BIÇIMLERI. Sosyoloji Araştırmaları Dergisi, Cilt: 19 - Sayı: 1, 74–95. https://ajindex.com/articles/314640

References (12)

  1. Akın, A. (2010).
  2. Yeni Medyada Nefret Söylemi, İstanbul:
  3. Kalkedon. Ansart, P. (2006). Les humiliations politiques, in Yves Deloye and Claudine Haroche (Eds.), Le sentiment d'humiliation, Paris: In Press, 131-147.
  4. Barthes, R. (1992). Le message photographique, in L'Obvie et l'obtus. Essais critiques III, Paris: Seuil, 9-24.
  5. Barus-Michel, J. (2011). Une société sur écrans, in Nicole Aubert and Claudine Haroche (Eds.), Les tyrannies de la visibilité. Être visible pour exister? Toulouse: Érès, 27-37.
  6. Baudrillard, J. (1987). Au-delà du vrai et du faux, ou le malin génie de l'image. Cahiers internationaux de sociologie, LXXXII. Belhomme, L. (2010). Interview de Serge Tisseron. L'identité et les liens transformés par les nouvelles technologies. Cahiers de psychologie clinique, 2(35). Béliard, A. S. (2009). Pseudos, avatars et bannières: la mise en scène des fans. Étude d'un forum de fans de la série télévisée Prison Break (enquête). Terrains & travaux, 1(15), 191-212.
  7. Benjamin, W. (1991). L'oeuvre d'art à l'époque de sa reproduction mécanisée. Écrits français, Paris: Gallimard. Birman, J. (2011). Je suis vu donc je suis. La visibilité en question, in Nicole Aubert, and Claudine Haroche (Eds.), Les tyrannies de la visibilité. Être visible pour exister? Toulouse: Érès, 39-55 Boëton, M. (2013). La génération Y, une classe d'âge façonnée par le Net, Études, 7(419), 31-41.
  8. Boyd, D. and Ellison, N. B. (2008). Social Network Sites: Definition, History and Scholarship. Journal of computer-Mediated communication, 13(1). Çakır, M. (2015). İnternette Gösteri ve Gözetim. Eleştirel Bir Okuma, İstanbul:
  9. Ütopya Yayınevi.
  10. Çomu, T., Toprak, A., Yıldırım A., Aygül, E., Binark, M. Ve Börekçi, S. (2009). Toplumsal Paylaşım Ağı Facebook: "Görülüyorum Öyleyse Varım". Istanbul: Kalkedon / Sosyoloji Dizisi. Digout, J. (2013). E-Réputation des marques, des produits et des dirigeants. Paris: Vuibert. Dilmaç, J. A. (2014a). Looking for the gaze: the case of humiliation in the Digital Era. Journal of Academic Inquiries, 1(9), 183-204.
  11. Dilmaç, J. A. (2014b). Humiliation in the Virtual World: Definitions and Conceptualization. International Journal of Human Sciences, 11 (2), 1285-1296.
  12. Dilmaç, J. A. (2015). Du regard qui jauge au regard qui juge: les nouvelles manières de regarder sur Internet. Revue Influxus, De l'oeil au regard, Résurgences. Ellison, R. (2001). Invisible Man. London: Penguin. Enriquez, E. (2006). L'autre comme objet de la violence humiliante, in Yves Deloye et Claudine Haroc