Journals / Uluslarası Müzik ve Sahne Sanatları Dergisi / 2017 / Cilt: 1 Sayı: 1

LOOKING AT MARINA ABRAMOVIĆ'S RHYTHYM SERIES WITH THE PERFORMANCE UNDERSTANDING OF ERIKA FISCHER-LICHTE

ERİKA FİSCHER-LİCHTE’NİN PERFORMANS ANLAYIŞI İLE MARİNA ABRAMOVİĆ’İN RHYTHM SERİSİNE BAKMAK

Pages
11–26
Publication Date
2017-12-25
DOI
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

Within this understanding, Marina Abramović's performance of the Rhythm series will be discussed from the perspective of breaking down the classical norms in the world, by including the performer body and indeed all kinds of objects.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:In this work, the approach of Erika Fischer-Lichte, one of the important theoreticians of performance art which emerged in Europe, will be summarized and the use of body, one of the most important production areas of performance, will be discussed.
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Key Findings & Data:It will talk about the concept of developing alternative materials and methods to remove the opposition and life-art boundaries against formalism in artistic movements, which are among the main characteristics of performance.
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Conclusion & Impact:Within this understanding, Marina Abramović's performance of the Rhythm series will be discussed from the perspective of breaking down the classical norms in the world, by including the performer body and indeed all kinds of objects.
🔬Design:Araştırma Makalesi
📍Scope:Comprehensive Sample
⚙️Variables:Performans Sanatı · Beden · Erika Fischer-Lichte

Abstract

In this work, the approach of Erika Fischer-Lichte, one of the important theoreticians of performance art which emerged in Europe, will be summarized and the use of body, one of the most important production areas of performance, will be discussed. It will talk about the concept of developing alternative materials and methods to remove the opposition and life-art boundaries against formalism in artistic movements, which are among the main characteristics of performance. Within this understanding, Marina Abramović's performance of the Rhythm series will be discussed from the perspective of breaking down the classical norms in the world, by including the performer body and indeed all kinds of objects.

Özet

Bu çalışmada, Avrupa’da ortaya çıkmış olan performans sanatının önemli teorisyenlerinden olan Erika Fischer-Lichte’nin yaklaşımı özetlenecek ve performansın en önemli üretim alanlarından bir tanesi olan beden kullanımı üzerine tartışılacaktır. Performansın temel özellikleri arasında yer alan, sanat akımlarındaki biçimciliğe karşı muhalif ve yaşam-sanat sınırlarını ortadan kaldırma amacıyla alternatif malzeme ve yöntemler geliştiren anlayışından bahsedilecektir. Bu anlayış çerçevesinde, Marina Abramovi ć’in Rhythm serileri performanslarının, icracı bedenini ve aslında her türden nesneyi dahil ederek, sanattaki klasik normları nasıl parçaladığına değinilecektir.

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Cite This Article

Özinan, E. (2017). LOOKING AT MARINA ABRAMOVIĆ'S RHYTHYM SERIES WITH THE PERFORMANCE UNDERSTANDING OF ERIKA FISCHER-LICHTE. Uluslarası Müzik ve Sahne Sanatları Dergisi, Cilt: 1 Sayı: 1, 11–26. https://ajindex.com/articles/1573350

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