It examines the fractal continuity visually from the urban scale of Isfahan, then the plans, elevations and finally decorative patterns of Shah Mosque.
📌 3 Key Takeaways
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Objective & Hypothesis:In Islamic art, geometry has a significant role that is used as pattern with the purpose of ornamentation and spatial organizations.
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Key Findings & Data:Through complexity theories occurred as new paradigms, in a dynamic space and a living system of traditional inheritance, hidden orders- not only physically but also mentally- could be analyzed and recognized.
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Conclusion & Impact:It examines the fractal continuity visually from the urban scale of Isfahan, then the plans, elevations and finally decorative patterns of Shah Mosque.
In Islamic art, geometry has a significant role that is used as pattern with the purpose of ornamentation and spatial organizations. Through complexity theories occurred as new paradigms, in a dynamic space and a living system of traditional inheritance, hidden orders- not only physically but also mentally- could be analyzed and recognized. The aim of the study is to investigate the relationship between complexity theories and cosmologic thoughts of Islamic worldview through traditional architectural spaces in Iran. It examines the fractal continuity visually from the urban scale of Isfahan, then the plans, elevations and finally decorative patterns of Shah Mosque.
Aytekin, Ç. K. (2021). From Disorder To Hidden Order; Fractal Cosmology From Isfahan To Shah Mosque. Gazi University Journal of Science Part B: Art Humanities Design and Planning, Cilt: 9 Sayı: 1, 91–99. https://ajindex.com/articles/1486964
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Abdullahin, Y., & Embi, M. R. (2013). Evolution of Islamic geometric patterns. Frontiers of Architectural Research, 2, 243-251.
Akkach, S. (1995). In the Image of the Cosmos Order and Symbolism in Traditional Islamic Architecture Part 1. The Islamic Quarterly, 5-17.
Asadi, S., Kaleybar, M. F., Jozpiri, A., & Lotfi, A. (2015). Ornaments and the Concept of Beauty in Iranian Architecture (Case study of the large Timcheh of Qom Bazaar). Current World Environment, 10, 1-17.
Assari, A., & Assari, E. (2012). Urban spirit and heritage conservation problems: case study Isfahan city in Iran. Journal of American Science, 203-209.
Damadi, M. (2013). Characteristics Of Islamic And Iranian Architecture. International Journal of Advanced Research in Engineering and Applied Sciences, 2, 1-13.
Dickau, J. J. (2009). Fractal Cosmology. Chaos, Solitons and Fractals, 2103-2105.
Peker, A. U. (1993). The Monumental Iwan: A Symbolic Space or A Functional Device? M.E.T.U. Journal of the Faculty of Architecture., 5-19.
Salingaros, N. A. (2015, 4). A Scientific Basis For Creating Architectural Forms. Journal of Architectural and Planning Research, 283-293.
Shishin, M. Y., & Ismail, K. J. (2016). A Method of Compositional Fractal Analysis and its Application in Islamic Architectural Ensembles. IEJME — Mathematics Education, 1087-1100.