Journals / Erciyes İletişim Dergisi / 2026 / Cilt: 13 Sayı: 1

The Evolution of the Representations of Artificial Intelligence in Cinema: An Analysis of the Last 10 Years Based on the IMDb Dataset

Yapay Zekâ Temsillerinin Sinemadaki Evrimi: IMDb Veri Seti Üzerinden Son 10 Yılın Analizi

Seda Aktaş(ISTANBUL ESENYURT UNIVERSITY)0000-0002-1735-699X
Pages
227–248
Publication Date
2026-01-30
🏛️Bibliographic metadata and full text access for this article are provided via DergiPark.
DergiPark Record ↗
✨

AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

In recent years, narratives emphasizing the manipulative power of AI through algorithmic systems have become more prominent.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:Films are an important source of data for understanding the socio-cultural and ideological dynamics of different periods.
📊
Key Findings & Data:Using qualitative content analysis with a descriptive approach, a document search was conducted via the IMDb database, identifying 186 feature-length films released between 2014 and 2024 and tagged with “artificial intelligence.” Based on IMDb’s popularity metric, 11 films were selected as a sample, and AI-related themes were coded and analysed.
💡
Conclusion & Impact:In recent years, narratives emphasizing the manipulative power of AI through algorithmic systems have become more prominent.
🔬Design:Araştırma Makalesi
📍Scope:2014 Verileri
⚙️Variables:Yapay zeka · Temsil · Bilim kurgu

Abstract

Films are an important source of data for understanding the socio-cultural and ideological dynamics of different periods. In particular, science fiction and horror films are strongly shaped by the political and social climate of their time. These films reflect social anxieties, expectations and dominant ideologies. This study aims to identify changes in the depiction of artificial intelligence (AI) in cinema and to interpret these changes within the context of broader social trends. Using qualitative content analysis with a descriptive approach, a document search was conducted via the IMDb database, identifying 186 feature-length films released between 2014 and 2024 and tagged with “artificial intelligence.” Based on IMDb’s popularity metric, 11 films were selected as a sample, and AI-related themes were coded and analysed. Between 2014 and 2019, AI was predominantly portrayed through more optimistic and supportive narratives. After 2020, however, increasingly anxious representations emerged, shaped by concerns such as unemployment, technological determinism and ethical dilemmas related to AI. In recent years, narratives emphasizing the manipulative power of AI through algorithmic systems have become more prominent.

Özet

Filmler, dönemlerin sosyo-kültürel ve ideolojik dinamiklerini anlamada önemli bir veri kaynağıdır. Özellikle bilim kurgu ve korku türleri, dönemin siyasal ve toplumsal konjonktüründen yoğun biçimde etkilenmektedir. Bu tür filmler, toplumsal kaygı ve beklentileri ya da hâkim ideolojinin görüşlerini yansıtabilmektedir. Bu çalışmanın amacı, filmlerdeki yapay zekâ temsillerinin değişimini saptamak ve bu değişimi toplumsal yönelimler bağlamında yorumlamaktır. Çalışmada, nitel analiz yöntemlerinden içerik analizi kullanılarak filmler betimsel bir yöntemle incelenmiş ve filmlerde yer alan temalar saptanmıştır. Araştırma kapsamında IMDb veri tabanı üzerinden doküman taraması yapılarak, 2014–2024 yılları arasında çekilen ve “yapay zekâ” etiketiyle listelenen 186 uzun metrajlı film çalışma evrenine dâhil edilmiştir. Sitede yer alan “popülerlik” (popularity) kriterine göre belirlenen 11 film örneklem olarak seçilmiş ve bu filmlerdeki yapay zekâ temsiline ilişkin temalar kodlanmıştır. Çalışma kapsamında belirlenen dönemin ilk yıllarında (2014–2019) yapay zekâya dair daha olumlu bir yaklaşım öne çıkarken, 2020 sonrasında işsizlik, teknolojik determinizm ve etik ikilemler gibi konuların gündeme gelmesiyle birlikte daha kaygı temelli temsillerin arttığı görülmektedir. Son dönemde ise algoritmaların belirleyiciliği üzerinden yapay zekânın manipülatif gücüne odaklanan anlatıların çoğaldığı dikkat çekmektedir.

🔖

Cite This Article

Aktaş, S. (2026). The Evolution of the Representations of Artificial Intelligence in Cinema: An Analysis of the Last 10 Years Based on the IMDb Dataset. Erciyes İletişim Dergisi, Cilt: 13 Sayı: 1, 227–248. https://doi.org/10.17680/erciyesiletisim.1756059

📄 Full Text PDF Viewer

📄

PDF görüntüleyici hazırlanıyor...

References (40)

  1. Avengers: Endgame (2019)—IMDb. (n.d.). Retrieved 24 July 2025, from https://www.imdb.com/title/tt4154796/
  2. Bellman, R. E. (1978). An introduction to artificial intelligence: Can computers think? Boyd & Fraser Publishing Company.
  3. Bender, S. (2025). Generative-AI, the media industries, and the disappearance of human creative labour. Media Practice and Education, 26(2), 200–217. https://doi.org/10.1080/25741136.2024.2355597
  4. Black Panther: Wakanda Forever (2022)—IMDb. (n.d.). Retrieved 24 July 2025, from https://www.imdb.com/title/tt9114286/
  5. Bould, M., & Vint, S. (2011). The Routledge concise history of science fiction. NY: Routledge.
  6. Dick, S. (2019). Artificial Intelligence. Harvard Data Science Review, 1(1). https://doi.org/10.1162/99608f92.92fe150c
  7. Dixon, W. W. (2007). Vanishing Point: The Last Days of Film – Senses of Cinema. Senses of Cinema. https://www.sensesofcinema.com/2007/feature-articles/last-days-film/
  8. Don’t Look Up (2021)—IMDb. (n.d.). Retrieved 24 July 2025, from https://www.imdb.com/title/tt11286314/
  9. Eugeni, R., & Pisters, P. (2020). The artificial intelligence of a machine: Moving images in the age of algorithms. https://doi.org/10.25969/MEDIAREP/14325
  10. Fisher, R. (2021). REPRESENTATIONS OF ARTIFICIAL INTELLIGENCE IN CINEMA. Homepages. https://homepages.inf.ed.ac.uk/rbf/AIMOVIES/AImovies.htm
  11. Fortune Business Insights. (2025). Artificial Intelligence [AI] Market Size, Growth & Trends by 2032. https://www.fortunebusinessinsights.com//industry-reports/artificial- intelligence-market-100114
  12. Gerçeker, H. (2021). Nöro sinema. Ray.
  13. IMDb. (n.d.). IMDb, AI Movies. Retrieved 24 July 2025, from https://www.imdb.com/search/
  14. Interstellar (2014)—IMDb. (n.d.). IMDb. Retrieved 23 July 2025, from https://www.imdb.com/title/tt0816692/?ref_=sr_t_1
  15. Johnston, K. M. (2011). Science Fiction Film: A Critical Introduction. Berg Publishing.
  16. Kalki 2898-AD (2024)—IMDb. (n.d.). Retrieved 24 July 2025, from https://www.imdb.com/title/tt12735488/
  17. Kaplan, N., & Terek, G. (2011). Bilmkurgu sinemasını okumak: Göstergebilimsel yaklaşım. Derin Yayınları.
  18. Kellner, D., Ryan, M. (2010). Politik Kamera. Ayrıntı Yayınları.
  19. Lazzeri, F. (2023, May 30). Generative AI, OpenAI, and ChatGPT: What are they? Data Science at Microsoft. https://medium.com/data-science-at-microsoft/generative-ai- openai-and-chatgpt-what-are-they-3c80397062c4
  20. LeCun, Y., Bengio, Y., & Hinton, G. (2015). Deep learning. Nature,521(7553), Article 7553. https://doi.org/10.1038/nature14539
  21. Manovich, L., & Arielli, E. (2024). Who is an “Artist” in the “AI Era”? In Artificial aesthetics. (pp. 26–42).
  22. Mission Impossible—Dead Reckoning Part 1 (2023)—IMDb. (n.d.). Retrieved 24 July 2025, from https://www.imdb.com/title/tt9603212/
  23. Murphy, P. (2024). AI in the movies. Edinburgh.
  24. Oskay, Ü. (2014). Çağdaş fantazya. İnkılap Kitabevi.
  25. Pirim, A. G. H. (2006). YAPAY ZEKA. Yaşar Üniversitesi E-Dergisi,1(1), Article 1. https://doi.org/10.19168/jyu.72783
  26. Pradeep, A., Satmuratov, A., Yeshbayev, I., Khasan, O., Iqboljon, M., & Daniyor, A. (2023). The Significance of Artificial Intelligence in Contemporary Cinema. 2023 Second International Conference on Trends in Electrical, Electronics, and Computer Engineering (TEECCON), 111–116. https://doi.org/10.1109/TEECCON59234.2023.10335867
  27. Purkar, N. (2013). Dystopian writing as a part of science fiction. The Criterion.
  28. Rogue One: A Star Wars Story (2016)—IMDb. (n.d.). Retrieved 24 July 2025, from https://www.imdb.com/title/tt3748528/
  29. Roloff, B., & Seeblen, G. (1995). Ütopik sinema. Alan Yayıncılık.
  30. Russell, S., & Norvig, P. (2010). Artificial intelligence: A modern approach (3rd edn). Prentice Hall.
  31. Şentürk, R. (2016). Sinemanın Dramı. In Dijital Sinema (pp. 5-50.). İnsanart Yayınları.
  32. Spider-Man: Homecoming (2017)—IMDb. (n.d.). Retrieved 24 July 2025, from https://www.imdb.com/title/tt2250912/?ref_=vp_close
  33. Spider-Man: Into the Spider-Verse (2018)—IMDb. (n.d.). Retrieved 24 July 2025, from https://www.imdb.com/title/tt4633694/
  34. Super Intelligence (2020)—IMDb. (n.d.). Retrieved 24 July 2025, from https://www.imdb.com/title/tt7178640/
  35. Telotte, J. (2004). Science Fiction Film. Cambridge University Press.
  36. The Avengers: Age of Ultron (2015)—IMDb. (n.d.). Retrieved 24 July 2025, from https://www.imdb.com/title/tt2395427/
  37. Turing A.M. (1950). Parsing the Turing test. Springer., 23–65.
  38. Yıldırım, A., & Şimşek, H. (2016). Sosyal bilimlerde nitel araştırma yöntemleri. Seçkin Yayıncılık.
  39. Yılmaz, M., & Turan, N. S. (2018). Zekâ Yapay Ama Aşk Doğal: Bilim Kurgu Sinemasında Yapay Zekâ- İnsan Aşkının Temsili. Akdeniz Üniversitesi İletişim Fakültesi Dergisi, 30, Article 30. https://doi.org/10.31123/akil.462780
  40. Zengin, F. (2022). Yapay zekâ ve sinema. İstanbul Gelişim Üniversitesi.