Journals / İDEALKENT / 2013 / Cilt: 4 - Sayı: 10

Belgrade and Cinema in a Post-Yugoslav Context

Post-Yugoslav Bağlamda Belgrad ve Sinema

Journal
İDEALKENT
Pages
48–71
Publication Date
2013-09-30
DOI
—
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

The study particularly focuses on films with a Belgrade centered point of view, dealing themes such as militarism, totalitarianism, culture of violence, economic crisis, moral decadence, urban-rural rupture, politic opposition, post- Milošević era, settling and apology.

📌 3 Key Takeaways

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Objective & Hypothesis:This paper deals film production centered in Belgrade, which transformed into Serbian national cinema along with long, painful and violent disintegration process, Yugoslavia experienced during 1990’s.
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Key Findings & Data:It also inquires how does this Belgrade centered cinema relate to disintegration of Yugoslavia, totalitarian and militarist Milošević regime and breakdown in Belgrade and rest of the country caused by war and clashes.
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Conclusion & Impact:The study particularly focuses on films with a Belgrade centered point of view, dealing themes such as militarism, totalitarianism, culture of violence, economic crisis, moral decadence, urban-rural rupture, politic opposition, post- Milošević era, settling and apology.
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Post-Yugoslav · Belgrad · Balkanlar

Abstract

This paper deals film production centered in Belgrade, which transformed into Serbian national cinema along with long, painful and violent disintegration process, Yugoslavia experienced during 1990’s. It also inquires how does this Belgrade centered cinema relate to disintegration of Yugoslavia, totalitarian and militarist Milošević regime and breakdown in Belgrade and rest of the country caused by war and clashes. Belgrade is both capital city of a nation state and a sophisticated metropolis beyond national culture. The study particularly focuses on films with a Belgrade centered point of view, dealing themes such as militarism, totalitarianism, culture of violence, economic crisis, moral decadence, urban-rural rupture, politic opposition, post- Milošević era, settling and apology.

Özet

Bu çalışma Yugoslavya’nın 1990’lar boyunca yaşadığı uzun, sancılı ve şiddetli dağılma sürecine paralel olarak Belgrad merkezli film yapımının, Sırp ulusal sinemasına dönüşürken Yugoslavya’nın dağılışına, totaliter ve militarist Milošević rejimine, savaş ve çatışmaların kentte ve ülkede neden olduğu çöküntüye nasıl tepki verdiğini ele alır. Belgrad hem bir ulus devletin başkenti hem de ulusal kültürün ötesinde sofistike bir metropoldür. Çalışma özellikle Belgrad merkezli bir bakış açısıyla militarizm, totalitarizm, şiddet kültürü, ekonomik kriz, ahlaki dekadans, kentli-köylü yarılması, politik muhalefet, Milošević sonrası dönem, yüzleşme ve apoloji gibi temaları kullanan filmlere odaklanır.

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Cite This Article

YAREN, Ö. (2013). Belgrade and Cinema in a Post-Yugoslav Context. İDEALKENT, Cilt: 4 - Sayı: 10, 48–71. https://ajindex.com/articles/109817

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References (4)

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