Dergiler / Researcher / 2018 / Cilt: 6 Sayı: 1

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Criticism of Colonialism; The Meeting of the European with Africa in the Novel "Heart of Darkness" by Joseph Conrad

Zennube Şahin Yılmaz(Atatürk Üniversitesi, Edebiyat Fakültesi, Alman Dili ve Edebiyatı Bölümü)
Sayfa
489–499
Yayın Tarihi
2018-01-01
DOI
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Joseph Conrad holds the rule and oppression against each other starting from his biography in this novel

📌 3 Maddede Bu Makale

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Amaç & Hipotez:Heart of Darkness by Joseph Conrad is an important novel because it highlights both the colonial process and the intercultural state of Africa.
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Temel Bulgular & Veri:The novel makes clear the encounter between the European subject and the other in Africa.
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Sonuç & Katkı:Joseph Conrad holds the rule and oppression against each other starting from his biography in this novel
🔬Tür:Araştırma Makalesi
📍Kapsam:Genişletilmiş Akademik Örneklem
⚙️Değişkenler:Colonialism Oppression the European Perspective · Colonialism Oppression the European Perspective

Abstract

Heart of Darkness by Joseph Conrad is an important novel because it highlights both the colonial process and the intercultural state of Africa. The novel makes clear the encounter between the European subject and the other in Africa. The rule of the Europeans and the oppression of the African people are called into question as the central theme of the novel. The intercultural constellation and the colonial process in Africa are considered in a literary text. The attitude of the Europeans towards the African people is concretized and in this concretization the complex narrative construction of the novel plays a big role. Therefore, the narrator reflects the colonial oppression with the detailed representation of the slaves. Joseph Conrad holds the rule and oppression against each other starting from his biography in this novel

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Yılmaz, Z. Ş. (2018). -. Researcher, Cilt: 6 Sayı: 1, 489–499. https://ajindex.com/articles/911992

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Kaynakça (12)

  1. Conrad, J. (2015). Herz der Finsternis, Berlin; Europäischer Literaturverlag. Fabian, J. (2001). Im Tropenfieber: Wissenschaft und Wahn in der Erforschung Zentralafrikas, München; C.H.Beck.
  2. Förster, F. (2007). Die literarische Rezeption Joseph Conrads im deutschsprachigen Raum, Leipzig; Leipziger Universitätsverlag.
  3. Gifune, G.F. (2013). Kinder des Chaos: Thriller, Leipzig; Festa Verlag.
  4. Greger, N.W. (2013). Ein Mädchen namens Haddy, Berlin; Epubli GmbH.
  5. Hofmann, M. (2006). Interkulturelle Literaturwissenschaft, Eine Einführung, Paderborn; Wilhelm Fink Verlag.
  6. Hofmann, M. & Morrien, R. (2012). Deutsch-afrikanische Diskurse in Geschichte und Gegenwart: Literatur- und kulturwissenschaftliche Perspektiven, Amsterdamer Beiträge zur neueren Germanistik, Amsterdam – New York; Rodopi Verlag.
  7. Lorenz, M.N. (2015). Joseph Conrad und die Deutschen, IASL; 40(1): 222–265.
  8. Martinez, M. & Scheffel, M. (1999). Einführung in die Erzähltheorie, München; C.H.Beck.
  9. Radke, W. (2009). Der Einfluss narrativer Verfahren auf das Verschollenenmotiv in Joseph Conrads “Heart of Darkness”, Erfurt; Grin Verlag.
  10. Schweiger, H. (2009). Die Biographie: zur Grundlegung ihrer Theorie, Berlin; Walter de Gruyter Verlag.
  11. Steinbrink, M. (2009). Leben zwischen Land und Stadt: Migration, Translokalität und Verwundbarkeit in Südafrika, Wiesbaden; Verlag für Sozialwissenschaften.
  12. Wilms, W. & Rasch, W. (2006). Bombs Away!: Representing the Air War Over Europe and Japan, Amsterdamer Beiträge zur neueren Germanistik, Amsterdam- New York; Rodopi Verlag.