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Dergiler / Antakiyat / 2018 / Cilt: 1 - Sayı: 2

“Mekân” Algısı: Altay Dağı’nın Gizli Tapınaklarında Gösteri, Sözlü Gelenek ve Doğaçlama

Sensing “Place”: Performance, Oral Tradition and Improvisation in the Hidden Temples of Mountain Altai

İlbey DÖLEK
Sayfa
261–289
Yayın Tarihi
2018-12-30
DOI
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⚡ TL;DR(1 Cümlede Hızlı Çıkarım)

These components stimulate three interrelated senses of “place” for participants: a topographical, indigenous “place of gatherings;” a numinous interactive spiritual place; and a situational “being-in-place” that serve to strengthen personhood and enable personal transitions in the face of difficult contemporary political and natural change.

📌 3 Maddede Bu Makale

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Amaç & Hipotez:This article suggests that during two Ak Jang (“White Way”) Sary Bür (“Yellow Leaves”) rituals in hidden open-air temples in Mountain Altai, kaleidoscopic relations are created through bodily movements, oral poetry, epic, and song.
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Temel Bulgular & Veri:This article suggests that during two Ak Jang (“White Way”) Sary Bür (“Yellow Leaves”) rituals in hidden open-air temples in Mountain Altai, kaleidoscopic relations are created through bodily movements, oral poetry, epic, and song.
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Sonuç & Katkı:These components stimulate three interrelated senses of “place” for participants: a topographical, indigenous “place of gatherings;” a numinous interactive spiritual place; and a situational “being-in-place” that serve to strengthen personhood and enable personal transitions in the face of difficult contemporary political and natural change.
🔬Tür:Araştırma Makalesi
📍Kapsam:Genişletilmiş Akademik Örneklem
⚙️Değişkenler:Anahtar Kelimeler place · ritual · temple

Özet

This article suggests that during two Ak Jang (“White Way”) Sary Bür (“Yellow Leaves”) rituals in hidden open-air temples in Mountain Altai, kaleidoscopic relations are created through bodily movements, oral poetry, epic, and song. These components stimulate three interrelated senses of “place” for participants: a topographical, indigenous “place of gatherings;” a numinous interactive spiritual place; and a situational “being-in-place” that serve to strengthen personhood and enable personal transitions in the face of difficult contemporary political and natural change.

Abstract

This article suggests that during two Ak Jang (“White Way”) Sary Bür (“Yellow Leaves”) rituals in hidden open-air temples in Mountain Altai, kaleidoscopic relations are created through bodily movements, oral poetry, epic, and song. These components stimulate three interrelated senses of “place” for participants: a topographical, indigenous “place of gatherings;” a numinous interactive spiritual place; and a situational “being-in-place” that serve to strengthen personhood and enable personal transitions in the face of difficult contemporary political and natural change.

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Bu Makaleye Atıf Yap

DÖLEK, İ. (2018). “Mekân” Algısı: Altay Dağı’nın Gizli Tapınaklarında Gösteri, Sözlü Gelenek ve Doğaçlama. Antakiyat, Cilt: 1 - Sayı: 2, 261–289. https://ajindex.com/articles/80705

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Kaynakça (3)

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