KaydedilenlerDerginizi ekleyin

Dergiler / Litera: Dil Edebiyat ve Kültür Araştırmaları Dergisi / 2021 / Cilt: 31 - Sayı: 2

Page Layout and Braiding in Hergé’s Seven Crystal Balls

Rafael CARPİNTERO ORTEGA
Sayfa
565–586
Yayın Tarihi
2021-12-06
DOI
—
🏛️Bu makalenin bibliyografik verileri ve tam metin bağlantısı DergiPark üzerinden sağlanmıştır.
DergiPark Kaydı ↗
✨

Yapay Zeka Hızlı Bakış & Çıkarımlar

AI Insight
⚡ TL;DR(1 Cümlede Hızlı Çıkarım)

In this paper we will analyze the paradigmatic and syntagmatic consequences of changes in the conception of the page.

📌 3 Maddede Bu Makale

🎯
Amaç & Hipotez:In the last years of the 20th century, the Belgian scholar Thierry Groensteen developed a new way of analyzing comics in his book Système de la bande dessinée.
📊
Temel Bulgular & Veri:The starting point is the notion of “iconic solidarity”, by which separate but interrelated images form a significant unity.
💡
Sonuç & Katkı:In this paper we will analyze the paradigmatic and syntagmatic consequences of changes in the conception of the page.
🔬Tür:Araştırma Makalesi
📍Kapsam:Genişletilmiş Akademik Örneklem
⚙️Değişkenler:Groensteen · braiding · page layout

Abstract

In the last years of the 20th century, the Belgian scholar Thierry Groensteen developed a new way of analyzing comics in his book Système de la bande dessinée. The starting point is the notion of “iconic solidarity”, by which separate but interrelated images form a significant unity. The relations that rule this iconic solidarity are called the “arthrology”, governed by three fundamental operations: (a) Page layout as a result of gridding, or the distribution of the physical space; (b) Breakdown, or the division of the narrative content in panels; and (c) Braiding, or the interrelation of panels from a distance and not by narrative principles. All these operations create a delicate network in comics and any manipulation can alter it with negative results. A clear example can be found in Hergé’s The Seven Crystal Balls. It had a very eventful publication process: first as daily strips, then as album pages, and last as double pages à l’italienne, occupying the whole width of the two pages. The pages prepared for the album suffered notable alterations in the braiding of the panels with the change of page layout from single page to double page. In this paper we will analyze the paradigmatic and syntagmatic consequences of changes in the conception of the page.

🔖

Bu Makaleye Atıf Yap

ORTEGA, R. C. (2021). Page Layout and Braiding in Hergé’s Seven Crystal Balls. Litera: Dil Edebiyat ve Kültür Araştırmaları Dergisi, Cilt: 31 - Sayı: 2, 565–586. https://ajindex.com/articles/788815

📄 Tam Metin PDF Okuyucu

📄

PDF görüntüleyici hazırlanıyor...

Kaynakça (4)

  1. Baetens, J. (1989). Herge ecrivain. Paris: Flammarion (2006, corrected and augmented edition). google scholar Bartual Moreno, R. (2010). Poetica de la narracion pictografica: de la tira narrativa al comic (Ph. D. Thesis). Madrid: Universidad Autonoma de Madrid. google scholar Bremond, C. (1966). “La Logique des possibles narratifs”. Communications (Recherches semiologiques: l’analyse structurale du recit) n° 8, pp. 60-76. google scholar Brown, M. (2017, September 6). “On Watchmen and Shakespeare, the 9-Panel Grid and Iambic Pentameter”. https://comicbook.com/comics/news/on-watchmen-and-shakespeare-the-9-panel-grid-and-iambic-pentameter/ Last visited 10/10/2020. google scholar Castillo, F. (2011). Tintn-Herge. Una vida delsiglo XX. Madrid: Forcola. google scholar Fresnault-Deruelle, P. (1990). “Semiotic Approaches to Figurative Narration”. In T. Sebeok (Ed.), The Semiotic Web 1989. Berlin, New York: Mouton de Gruyter, pp. 587-603. google scholar Goddin, P. (2014a). «Recherches et commentaires (1)». In Herge, La Malediction de Rascar Capac
  2. Le Mystere des boulesdecristal. Bruxelles: Editions Moulinsart/Casterman. google scholar Goddin, P. (2014b). «Recherches et commentaires (2)». Dans Herge, La Malediction de Rascar Capac
  3. Les Secrets du Temple du soleil. Bruxelles: Editions Moulinsart/Casterman. google scholar Gomez Salamanca, D. (2013). Tebeo, comic y novela grafica: La influencia de la novela grafica en la industria del comic en Espana (Ph. D. Thesis). Barcelona: Universitat Ramon Llull. google scholar Greimas, A. J. (1966). Semantica estructural. Investigacion metodologica. (A. de la Fuente, Trans.). Madrid: Gredos, 1971. google scholar Groensteen, T. (1999). The System of Comics. (B. Beaty, & N. Nguyen, Trans.). Jackson: University Press of Mississippi, 2007. google scholar Groupe p. (1977). Rhetorique de la poesie. Lecture lineaire, lecture tabulaire. Paris: Editions du Seuil, 1990. google scholar Gubern, R., & Gasca, L. (1988). El discurso del comic. Madrid: Catedra. google scholar Herge. (2014). La Malediction de Rascar Capac
  4. Le Mystere des boules de cristal. Bruxelles: Editions Moulinsart/ Casterman. google scholar Munoz, D. (2020). Escribir con vinetas, pensar en bocadillos. Manual deguion de comic. Madrid: Es Pop Ediciones. google scholar Peeters, B. (1988). Herge en el pa^s de los incas. In Herge, El templo del sol (version original) (pp. 7-19) (Trans. by J. Renau). Barcelona: Juventud, 1991. google scholar Peeters, B. (2002). Herge, f