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Dergiler / Dört Öge / 2021 / Sayı: 20

Wolfgang Iser’s Understanding of Negative Referentiality and the Concept of Repertoire

Murat Çelik(ANKARA ÜNİVERSİTESİ)0000-0003-4032-423X
Sayfa
57–69
Yayın Tarihi
2021-12-29
DOI
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With Iser, we will see that literature is not mute about our world, however it talks about the world in a very undirect way; by negating the predominant world systems and thereby forcing the reader to reflect on her very own disposition.

📌 3 Maddede Bu Makale

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Amaç & Hipotez:The referential relation between fictive texts and the extra-textual world have always been a problem in literary theory and philosophy of literature.
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Temel Bulgular & Veri:In this paper I will claim that literary works have a very specific kind of relation with the extratextual work.
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Sonuç & Katkı:With Iser, we will see that literature is not mute about our world, however it talks about the world in a very undirect way; by negating the predominant world systems and thereby forcing the reader to reflect on her very own disposition.
🔬Tür:Araştırma Makalesi
📍Kapsam:Genişletilmiş Akademik Örneklem
⚙️Değişkenler:Wolfgang Iser · Repertoire · Negation

Özet

The referential relation between fictive texts and the extra-textual world have always been a problem in literary theory and philosophy of literature. Some claim that literary fictions refer to the extra-textual work, thus tells us something about the world we inhabit, while others claim that the fictive world is totally autonomous, and consequently it is mute about our world. In this paper I will claim that literary works have a very specific kind of relation with the extratextual work. To achieve this aim I will scrutinize on Wolfgang Iser’s concept of repertoire and his understanding of negative referentiality. With Iser, we will see that literature is not mute about our world, however it talks about the world in a very undirect way; by negating the predominant world systems and thereby forcing the reader to reflect on her very own disposition.

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Bu Makaleye Atıf Yap

Çelik, M. (2021). Wolfgang Iser’s Understanding of Negative Referentiality and the Concept of Repertoire. Dört Öge, Sayı: 20, 57–69. https://ajindex.com/articles/383600

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Kaynakça (10)

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  2. Danto, A. (2013). What art is. Yale University Press.
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  4. Ingarden, R. (1973). The Literary Work of Art: An Investigation of the Borderlines of Ontology, Logic, and Theory of Literature (G. G. Grabowicz, Trans.). Northwestern University Press.
  5. . (1985). On So-Called Truth in Literature. In Peter J McCormick (Ed.), Selected Papers in Aesthetics (pp. 133–62). The Catholic University of America Press.
  6. Iser, W. (1980). The Act of Reading: A Theory of Aesthetic Response. The Johns Hopkins University Press.
  7. . (2007). How to Do Theory. Blackwell Publishing.
  8. Plato. (1997). Republic. G.M.A. Grube (Trans.). C.D.C. Revee (Rev.).In John M. Cooper (Ed.). Complete Works. Hackett Publishing Company.
  9. Schwab, G. (2000). ‘If Only I Were Not Obliged to Manifest’: Iser’s Aesthetics of Negativity. New Literary History 31 (1): 73–89. https://doi.org/10.1353/nlh.2000.0011
  10. Stendhal. (2002). The Red and the Black. (Gard, Roger, Trans.). Penguin Books.