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Dergiler / Narrative And Language Studies / 2026 / Cilt: 3 Sayı: 4

Terror(ism) in Literature: ‘The Man Who Was Thursday’: A Review

Gülnur Demirci
Sayfa
1–7
Yayın Tarihi
2016-07-11
DOI
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Yet, the optimistic end and the function of dream to reveal the mythical essence of terror(ism) ironizes the ‘nightmare.’

📌 3 Maddede Bu Makale

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Amaç & Hipotez:Authors either use terror as a topic or theme in order to justify the acts of the artist as revolutionist or as “terror-ist.” This paper aims to indicate the relation between terror as an essential mode in art and literature in the form of textuality with reference to The Man Who Was Thursday.
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Temel Bulgular & Veri:Gilbert Keith Chesterton’s enigmatic novel, with its humorous tone and fantastic elements contending crucial arguments, stresses its paradoxical situation regarding terror(ism) in the subtitle: A Nightmare.
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Sonuç & Katkı:Yet, the optimistic end and the function of dream to reveal the mythical essence of terror(ism) ironizes the ‘nightmare.’
🔬Tür:Makale
📍Kapsam:Genişletilmiş Akademik Örneklem
⚙️Değişkenler:Artist as terror-ist · terror(ism) · Gilbert Keith Chesterton

Abstract

Authors either use terror as a topic or theme in order to justify the acts of the artist as revolutionist or as “terror-ist.” This paper aims to indicate the relation between terror as an essential mode in art and literature in the form of textuality with reference to The Man Who Was Thursday. Gilbert Keith Chesterton’s enigmatic novel, with its humorous tone and fantastic elements contending crucial arguments, stresses its paradoxical situation regarding terror(ism) in the subtitle: A Nightmare. Yet, the optimistic end and the function of dream to reveal the mythical essence of terror(ism) ironizes the ‘nightmare.’

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Bu Makaleye Atıf Yap

Demirci, G. (2016). Terror(ism) in Literature: ‘The Man Who Was Thursday’: A Review. Narrative And Language Studies, Cilt: 3 Sayı: 4, 1–7. https://ajindex.com/articles/1657452

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Kaynakça (10)

  1. Burke, Edmund. A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful. Ed. Adam Phillips. Oxford: Oxford University Press, 1990.
  2. Chesterton, G. K. The Man Who Was Thursday a Nightmare. Grand Rapids, Mich.: Christian Classics Ethereal Library, 1908.
  3. Chesterton, G. K. The G.K. Chesterton Collection II. Catholic Way Publishing, 1901.
  4. Ghaderi, Behzad. “The Sublime and the Grotesque in Romantic Drama.” Language Forum,Vol. 27, No. 1-2. New Delhi, 2001.
  5. Houen, Alex. Terror(ism) and Modern Literature, from Joseph Conrad to Ciaran Carson. Oxford: Oxford UP, 2002
  6. Looney, Mark Einer. “Representing Terror(ism) Aesthetic Reflection and Political Action in Contemporary German Novels (Goetz, Klein, Tellkamp).” Diss. Vanderbilt University, 2010.
  7. Martin, Elaine. “The Global Phenomenon of "Humanizing" Terror(ism) in Literature and Cinema.” Comparative Literature and Culture. Vol. 9, Issue 1. Purdue University Press, 2007.
  8. Mellor, Anne. “English Romantic Irony.” Keats-Shelley Journal. Keats-Shelley Association of America, 1982. JSTOR.
  9. Nietzsche, Friedrich. The Birth of Tragedy Out of the Spirit of Music. Tr. Ian Johnston. Richer Resources Publications, 2012.
  10. Thomas Perry Thornton. "Terror as a Weapon of Political Agitation." Internal War: Problems and Approaches. Ed. Harry Eckstein. Free Press, 1964