KaydedilenlerDerginizi ekleyin

Dergiler / Litera: Dil Edebiyat ve Kültür Araştırmaları Dergisi / 2026 / Cilt: 32 Sayı: 1

Asta Nielsen Filmvorführungen in Istanbul

Screening of Asta Nielsen Films in Istanbul

Oya Kasap Ortaklan(GALATASARAY ÜNİVERSİTESİ)0000-0002-4475-0431
Sayfa
295–316
Yayın Tarihi
2022-05-23
🏛️Bu makalenin bibliyografik verileri ve tam metin bağlantısı DergiPark üzerinden sağlanmıştır.
DergiPark Kaydı ↗
✨

Yapay Zeka Hızlı Bakış & Çıkarımlar

AI Insight
⚡ TL;DR(1 Cümlede Hızlı Çıkarım)

Therefore, the article contributes to the monography of Asta Nielsen and Ottoman/German cinema and cultural history with a focus on the screening and reception of Asta Nielsen films at Péra.

📌 3 Maddede Bu Makale

🎯
Amaç & Hipotez:Audiences in Ottoman Istanbul first had the opportunity to watch films in 1896, after the first public film screenings circulated in the world.
📊
Temel Bulgular & Veri:As a result of the implications of the Ottoman–German alliance on cultural life during World War I, documentary and feature-length films that were produced in and about the German Empire, including the films of Asta Nielsen, were screened at movie theaters in Istanbul.
💡
Sonuç & Katkı:Therefore, the article contributes to the monography of Asta Nielsen and Ottoman/German cinema and cultural history with a focus on the screening and reception of Asta Nielsen films at Péra.
🔬Tür:Araştırma Makalesi
📍Kapsam:Genişletilmiş Akademik Örneklem
⚙️Değişkenler:Asta Nielsen · early cinema · film star

Abstract

Audiences in Ottoman Istanbul first had the opportunity to watch films in 1896, after the first public film screenings circulated in the world. As a result of the implications of the Ottoman–German alliance on cultural life during World War I, documentary and feature-length films that were produced in and about the German Empire, including the films of Asta Nielsen, were screened at movie theaters in Istanbul. Although there are studies which deal with the screening of Asta Nielsen films in Europe and some parts of Asia, no study has been conducted yet on the prevalence and recognition of these films in the Ottoman Empire. This article, which aims to fill this gap, focuses on the reception of Asta Nielsen’s female characters through her two prominent films. The article evaluates the interest shown in and the comments made about Nielsen’s films, as she represented a new type of woman in the film community during her time. This article also discussed and problematizes female roles and the historical status of female spectators in Istanbul in relation to these female images. The influence of the images of modern women portrayed by Asta Nielsen on female spectators at a time when the public presence and visibility of women began to be discussed in the Ottoman Empire and the experience of female spectators who went to the movies at Péra in relation to these images give important clues about the place of cinema in the process of secularization. Therefore, the article contributes to the monography of Asta Nielsen and Ottoman/German cinema and cultural history with a focus on the screening and reception of Asta Nielsen films at Péra.

🔖

Bu Makaleye Atıf Yap

Ortaklan, O. K. (2022). Asta Nielsen Filmvorführungen in Istanbul. Litera: Dil Edebiyat ve Kültür Araştırmaları Dergisi, Cilt: 32 Sayı: 1, 295–316. https://doi.org/10.26650/LITERA2021-908311

📄 Tam Metin PDF Okuyucu

📄

PDF görüntüleyici hazırlanıyor...

Kaynakça (55)

  1. Allen, J. K. (2013). Ambivalent Admiration: Asta Nielsen’s Conflicted Reception in Denmark, 1911-1914. In M. Loiperdinger und U. Jung (Hrsg.), Importing Asta Nielsen: The International Film Star in the Making 1910-1914 (S. 34-43). New Barnet: John Libbey. google scholar
  2. Altenloh, E. (1914). Zur Soziologie des Kino. Die Kino- Unternehmung und die sozialen Schichten ihrer Besucher. Jena: Eugen Diederichs. google scholar
  3. Balazs, B. (2001). DersichtbareMensch oder die Kultur des Films. Frankfurt am Main: Suhrkamp. google scholar
  4. Beuys, B. (2020, 17. November). Aufbruch der neuen Frau: Asta Nielsen - Erster Stummfilmstar und Ikone. Bürgerleben. Abruf von https://www.buergerleben.com/aufbruch-der-neuen-frauen-asta-nielsen-erster-stummfilmstar-und-ikone/. google scholar
  5. Beyru, R. (1996). İzmirde İlk Sinema Gösterileri. Antrakt Aylık Sinema Dergisi, (53), 43-44. google scholar
  6. Bozis, Y. & Bozis, S. (2014). Paris'ten Pera'ya Sinema ve Rum Sinemacılar. İstanbul: Yapı Kredi Yayınları. google scholar
  7. Çakır, S. (2016). Osmanlı Kadın Hareketi. İstanbul: Metis Yayınları. google scholar
  8. Elster, A. (1913/14). Engelein. Bild und Film. Zeitschrift für Lichtbilderei und Kinematographie, Nr. 8, 205-207. google scholar
  9. Erdoğan, N. (2017). Sinemanın İstanbul’da İlk Yılları. Modernlik ve Seyir Maceraları. İstanbul: İletişim Yayınları. google scholar
  10. Evren, B. (1995). Türkiye’ye Sinemayı Getiren Adam Sigmund Weinberg. İstanbul: Milliyet Yayınları. google scholar
  11. Faroqhi, S. (1998). Osmanlı Kültürü ve Gündelik Yaşam. E. Kılıç (Übers.). İstanbul: Tarih Vakfı Yurt Yayınları. google scholar
  12. Förster, Annette. (2013). A Pendelum of Performances: Asta Nielsen on Stage and Screen. google scholar
  13. In M. Dall’Asta, V. Duckett und L. Tralli (Hrsg.). Researching Women in Silent Cinema: New Findings and Perspectives, (S. 303-317). Bologna: Alma Mater Studiorum Universita de Bologna. google scholar
  14. Gök, Nurşen. 2008. Donanma Cemiyeti’nin Anadolu’da Örgütlenmesine İlişkin Gözlemler. Tarih Araştırmaları Dergisi, 27(43), 77-93. google scholar
  15. Gökmen, M. (1989). Başlangıçtan 1950’ye Kadar Türk Sinema Tarihi ve Eski İstanbul Sinemaları. İstanbul: Denetim Ajansı Basımevi. google scholar
  16. Hansen, Miriam. (1983). Early Silent Cinema: Whose Public Sphere? New German Critique, 29, 147-184. google scholar
  17. Karay, R. H. (1939). Deli. İstanbul: Semih Lütfi Kitabevi. google scholar
  18. Karpat, K. H. (1985). Ottoman Population 1830-1914. Demographic and Social Characteristics. London: The University of Wisconsin Press. google scholar
  19. Klötzel, C. Z. (1914, 8. Juli). Der Film als Kulturpionier. Der Kinematograph, Nr. 393, S. 3-4. google scholar
  20. Loiperdinger, M. (2018). Importing Asta Nielsen Database. Quellen zu globalem Vertrieb und lokalen Aufführungen des frühen Filmstars Asta Nielsen in Branchenblattern und Tageszeitungen. In A.Geimer, C. Heinze, R. Winter, (Hrsg.). Die Herausforderungen des Films. Soziologische Antworten, (S. 297-313). Wiesbaden: Springer VS. google scholar
  21. Messter, O. (1994). Der Film als Politisches Werbemittel (1916). In M. Loiperdinger, F. Kessler, S. Lenk, (Hrsg.). KINtop: Jahrbuch zur Erforschung des frühen Films, Bd. 3, (S. 93-102). Basel, Frankfurt am Main: Stroemfeld/ Roter Stern. google scholar
  22. Müller, C. (1994). Frühe deutsche Kinematographie. Formale, wirtschaftliche und kulturelle Entwicklungen 19071912. Stuttgart, Weimar: J. B. Metzler. google scholar
  23. Odabaşı, İ. A. (2017). Milli Sinema. Osmanlı’da Sinema Hayatı ve Yerli Üretime Geçiş. İstanbul: Dergâh Yayınları. google scholar
  24. o. A. Asta Nielsen. Filmportal.de. Abruf von https://www.filmportal.de/person/astanielsen_485e2acc873649f68c623508ddeuycf5bb google scholar
  25. o. A. Die Suffragette (1913). Imdb. Abruf von https://www.imdb.com/title/tt0132536/releaseinfo?ref_=tt_dt_dt#akas. google scholar
  26. o. A. (1894, 10 Kânûn-ı Evvel [1894, 10. Dezember]). Edison’un son ihtirâ’ları. İkdam. google scholar
  27. o. A. (1311, 9 Teşrinisani [1895, 21. November]). Lumiere’in Sinematograf Makinesi. Servet-i Fünun. google scholar
  28. o. A. (1911,8. Dezember). Amphitheatre. Le Moniteuer Oriental. google scholar
  29. o. A. (1328, 21. Haziran [1912, 4. Juli]). Sinematografın İstilası. Servet-i Fünun. google scholar
  30. o. A. (1913, 28. Juni). Le chef-d’ reuvre de Leon TolstoT. Le Moniteuer Oriental, google scholar
  31. o. A. (1913, 14. Oktober). Cinema Theâtre Parlant Gaumont. Le Moniteuer Oriental. google scholar
  32. o. A. (1913, 13. November). Cinema Theâtre Parlant Gaumont. Le Moniteuer Oriental. google scholar
  33. o. A. (1913, 24. November). Quo Vadis? Le Moniteuer Oriental. google scholar
  34. o. A. (1915, 11. Dezember). Asta Nielsen dans “Petit-Ange”. Le Moniteur Oriental. google scholar
  35. o. A. (1915, 16. Dezember) Der kleine Engel. Osmanischer Lloyd. google scholar
  36. o. A. (1916, 11. November). Kino - „Apollo”. Osmanischer Lloyd. google scholar
  37. o. A. (1916, 5. Januar). „ ‘Luxemburg’-Kinema”. Osmanischer Lloyd. google scholar
  38. o. A. (1917, 16. Februar). Das Geheimnis. Osmanischer Lloyd. google scholar
  39. o. A. (1333, 19. Temmuz [1917, 19. Juli]). Sağırlar Temaşası. İkdam. google scholar
  40. o. A. (1918, 16. April). Aus Stadt und Land. Osmanischer Lloyd. google scholar
  41. Özçelik, S. (2000). Donanmay-ı Osmani Muavenet-i Milliye Cemiyeti. Ankara: Türk Tarih Kurumu. google scholar
  42. Özen, M. (2006). Fransız Firma Pathe Freres İstanbul’da, 1908-1914, In Deniz Bayrakdar (Hrsg.). Türk Film Araştırmalarında Yeni Yönelimler, Nr. 5, (S. 57-64). İstanbul: Bağlam Yayıncılık. google scholar Özuyar, A. (2004). Babıâli’de Sinema. 1. Baskı. Istanbul: İzdüşüm Yayınları. google scholar
  43. Rennert, M. (1913/1914). Kritik. Asta Nielsen im Kinodrama „Die Suffragetten”. Bild und Film. Zeitschrift für Lichtbilderei und Kinematographie, Nr. 6, 137. google scholar
  44. Rennert, M. (1914/1915). Kriegslichtspiele. Bild und Film. Zeitschrift für Lichtbilderei und Kinematographie, 4(7-8), 139. google scholar
  45. Rosenthal, A. (1910, 17 August). Der Kino im Orient. Der Kinematograph, Nr. 190. google scholar
  46. Sancar, S. (2014). Türk Modernleşmesinin Cinsiyeti. Erkekler Devlet, Kadınlar Aile Kurar. İstanbul: İletişim Yayınları. google scholar
  47. Schlüpmann, H. (1990). Unheimlichkeit des Blicks. Das Drama des frühen deutschen Kinos. Basel, Frakfurt am Main: Stroemfeld Verlag/Roter Stern. google scholar
  48. Schlüpmann, H. (2000). Asta Nielsen. Frauen und Film. Nr. 62, 33-46. google scholar
  49. Scognamillo, G. (2008). Cadde-i Kebir’de Sinema. İstanbul: Agora Kitaplığı. google scholar
  50. Seydel, R. und Hagedorff, A. (1984). Asta Nielsen. Eine Bildbiographie. Ihr Leben in Fotodokumenten, Selbstzeugnissen und zeitgenössischen Betrachtungen. Berlin: Henschelverlag. google scholar Teksoy, R. (2009). Sinema Tarihi. İstanbul: Oğlak Yayıncılık. google scholar
  51. Temel, M. (1998). İşgal Yıllarında İstanbul’un Sosyal Durumu. Ankara: Kültür Bakanlığı. google scholar
  52. Toprak, Z. (1994). Nüfus. In Dünden Bugüne İstanbul Ansiklopedisi, 6, (S. 108-111). İstanbul: Kültür Bakanlığı ve Tarih Vakfı. google scholar
  53. Toprak, Z. (2014). Türkiye’de Kadın Özgürlüğü ve Feminizm (1908-1935). İstanbul: Tarih Vakfı Yurt Yayınları. google scholar
  54. Beuys, B. (2020, 17. November). Aufbruch der neuen Frau: Asta Nielsen - Erster Stummfilmstar und Ikone. Bürgerleben. Abruf von https://www.buergerleben.com/aufbruch-der-neuen-frauen-asta-nielsen-erster-stummfilmstar-und-ikone/. google scholar
  55. o. A. Die Suffragette (1913). Imdb. Abruf von https://www.imdb.com/title/tt0132536/releaseinfo?ref_=tt_dt_dt#akas. google scholar