| The Crisis of Climate and Immigration in Amitav Ghosh’s Gun Island | Trina BOSE,Amrita SATAPATHY | 473–489 |
| Reason in Seventeenth-Century Millenarian England: The Example of John Milton’s Paradise Lost | Kyriaki ASIATIDOU | 491–523 |
| Discontinuous History and Magical Realism: A Foucauldian Reading of Kazuo Ishiguro’s The Buried Giant | Baysar TANIYAN | 525–546 |
| The Dubious Representations of Histories in Running in the Family by Michael Ondaatje | Ersoy GÜMÜŞ | 547–564 |
| Michael Ondaatje’nin Running in the Family Eserinde Tarihin Müphem Temsilleri | Ersoy GÜMÜŞ | 547–564 |
| Hergé’nin 7 Kristal Küre’sinde Sayfa Düzeni ve Örme | Rafael CARPINTERO | 565–586 |
| Le plaisir du texte : une expérience esthétique du lecteur | Jawad HAZIM | 619–632 |
| Langage obscène et injurieux dans La Voyeuse interdite de N. Bouraoui et C’est le soleil qui m’a brûlée de C. Beyala | Assia MARFOUQ,Abdelghani BRIJA | 653–666 |
| La représentation des français dans le roman intitulé La Maison de lumière de Nourredine Saadi | Ayşe TOMAT YILMAZ | 667–686 |
| Bir Arşiv Yaşam İncelemesi: Zinaida Gippius’un Petersburg Günlükleri | Eda H. TAN METREŞ | 857–879 |