| FOREFATHERS PART III AS A MASTERPIECE | EMRAH GAZNEVİ | 1–14 |
| BIG DATA: ITS IMPORTANCE, STRUCTURE AND CURRENT STATUS | Korcan DOĞAN,Sacit ARSLANTEKİN | 15–36 |
| FROM THE IMAGINARY TO THE SYMBOLIC AND FROM STRUCTURALISM TO POSTSTRUCTURALISM: REFLECTIONS IN TAHSİN YÜCEL'S MIRROR | SERKAN ERTİN | 37–45 |
| FROM THE IMAGINARY TO THE SYMBOLIC AND FROM STRUCTURALISM TO POSTSTRUCTURALISM: REFLECTIONS IN TAHSİN YÜCEL'S MIRROR | Serkan ERTİN | 37–45 |
| Date published: 23 June 2016 | BÜLENT AYYILDIZ | 46–62 |
| THE WOMEN PROBLEM IN THE WORKS OF ELIZA ORZESZKOWA | NEVRA VARDAL ATAK | 63–78 |
| THE ANDALUSIAN MUWASHSHAHS AND KHARJAS | KEMAL TUZCU | 79–99 |
| THE DIVINE COMEDY: THE CONCEPT OF JUSTICE THROUGH THE XXVIII , XXXIII AND XXXIV CANTOS AND THE LAW OF "CONTRAPASSO" IN DANTE'S "HELL" | ÖZGE PARLAK TEMEL | 100–123 |
| THE DIVINE COMEDY: THE CONCEPT OF JUSTICE THROUGH THE XXVIII , XXXIII AND XXXIV CANTOS AND THE LAW OF "CONTRAPASSO" IN DANTE'S "HELL" | Özge PARLAK TEMEL | 100–123 |
| THE AIDS FROM THE SOVIET UNION DURING THE TURKISH WAR OF INDEPENDENCE | Selda KILIÇ | 124–143 |
| THE MODERATING ROLE OF MARITAL SATISFACTION ON THE RELATIONSHIP BETWEEN DIMENSIONS OF WORK-FAMILY CONFLICT AND PERFECTIONISM | AYDA BÜYÜKŞAHİN SUNAL,AFİFE BAŞAK OK,SEÇİL KESKİN | 144–162 |
| AN ANALYSIS OF TURKISH AND FRENCH EDITIONS OF | HANİFE NALAN GENÇ | 163–176 |
| INFORMATION ORGANIZATION AND ACCESS IN MUSEUMS: A SURVEY ON MUSEUMS IN ANKARA | NEVZAT ÖZEL | 177–209 |
| EVALUATION OF THE PREVALENCE OF OBESITY AND MALNUTRITION IN PRESCHOOL CHILDREN: THE CASE OF ANKARA | SİBEL ÖNAL,AYŞEGÜL ÖZDEMİR,CANSEV MEŞE YAVUZ,BAŞAK KOCA ÖZER | 210–225 |
| MAĞRİPLİ KADIN İMGESİNE AİT OSMANLI SONRASI AVRUPA TAHAYYÜLLERİ |