Journals / Dilbilim / 2013 / Sayı: 29

IMPRESSION DE RÉALITÉ AU CINÉMA ET DANS LES ARTS VISUELS

Journal
Dilbilim
Pages
0–0
Publication Date
2016-12-26
DOI
—
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

We will also refer to other important thinkers on cinema, such as Marcel Martin and Jean Mitry.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:While the impression of reality is present in almost every form of art, the cinema has something more to say, because it creates, in the eyes of the viewers, a higher level of reality simply by its nature.
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Key Findings & Data:In this study, our aim is to focus on this difference between cinema and other visual arts, mostly photography and theater.
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Conclusion & Impact:We will also refer to other important thinkers on cinema, such as Marcel Martin and Jean Mitry.
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Impression of reality · cinema · credibility

Özet

While the impression of reality is present in almost every form of art, the cinema has something more to say, because it creates, in the eyes of the viewers, a higher level of reality simply by its nature. In this study, our aim is to focus on this difference between cinema and other visual arts, mostly photography and theater. We wanted to explain the differences between the levels of reality created by these forms of visual art through the methods of semioticians as Christian Metz and Roland Barthes. We will also refer to other important thinkers on cinema, such as Marcel Martin and Jean Mitry.

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Cite This Article

Öztürk, H. N. (2016). IMPRESSION DE RÉALITÉ AU CINÉMA ET DANS LES ARTS VISUELS. Dilbilim, Sayı: 29, 0–0. https://ajindex.com/articles/828460

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References (2)

  1. Aristote, La poétique. Texte intégral bilingue. Page consultée le 18 Janvier 2014: http://remacle.org/bloodwolf/philosophes/Aristote/poetique.htm
  2. Barthes, Roland (1964) Rhétorique de l’image, in Communications no. 4, Paris. Martin, Marcel (2001) Le langage cinématographique, Klincksieck, Paris. Metz, Christian (2003) Essais sur la signification au cinéma, Klincksieck, Paris. Mitry, Jean (2001) Esthétique et psychologie du cinéma, Editions du Cerf, Paris. Öztokat, Nedret Tanyolaç (2005) Yazınsal Metin Çözümlemesinde Kuramsal Yaklaşımlar, Multilingual Yayınları, İstanbul