SavedAdd your journal

Journals / Konservatoryum / 2021 / Cilt: 8 - Sayı: 2

Passages That Require Agility in the Cello Parts of Tchaikovsky’s Manfred and Symphony No. 4

Ayşem ERSOY
Pages
253–279
Publication Date
2022-10-19
DOI
—
🏛️Bibliographic metadata and full text access for this article are provided via DergiPark.
DergiPark Record ↗
✨

AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

Finally, the paper provides exercise examples on the correct use of fingering and position transitions for the fast passages of the cello parts in Manfred and Symphony No. 4 in performance practices.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:This paper presents suggestions and exercises to solve the problems related to agility and articulation due to the anatomy of the left hand while performing the cello parts of Tchaikovsky’s Manfred Symphony and Symphony No. 4.
📊
Key Findings & Data:In this context, the importance of imagery and behavioral methods in performance is presented.
💡
Conclusion & Impact:Finally, the paper provides exercise examples on the correct use of fingering and position transitions for the fast passages of the cello parts in Manfred and Symphony No. 4 in performance practices.
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Domain Parameters

Özet

This paper presents suggestions and exercises to solve the problems related to agility and articulation due to the anatomy of the left hand while performing the cello parts of Tchaikovsky’s Manfred Symphony and Symphony No. 4. The cognitive methods in instrument training are explored in this study. These cognitive methods are studies aimed at restructuring the unintentionally developed negative thought systems. A certain experience is consciously visualized in the brain using mental imagery. In this context, the importance of imagery and behavioral methods in performance is presented. This study examined various physical therapy techniques applied by musicians, including the Alexander technique and the Feldenkrais method— two of the most well- known methods. The discussion also focuses on methods such as yoga andmeditation that are used for mental and physical preparation in addition to left-hand anatomy, left-hand pattern, articulation, and agility. Finally, the paper provides exercise examples on the correct use of fingering and position transitions for the fast passages of the cello parts in Manfred and Symphony No. 4 in performance practices.

🔖

Cite This Article

ERSOY, A. (2022). Passages That Require Agility in the Cello Parts of Tchaikovsky’s Manfred and Symphony No. 4. Konservatoryum, Cilt: 8 - Sayı: 2, 253–279. https://ajindex.com/articles/575449

📄 Full Text PDF Viewer

📄

PDF görüntüleyici hazırlanıyor...

References (9)

  1. Acehan, I. (2005). Outposts of an Empire: Early Turkish Migration to Peabody, Massachusetts (Yüksek lisans tezi). Bilkent Üniversitesi veri tabanından erişildi. Erişim adresi: http://hdl.handle.net/11693/29634
  2. Acehan, I. (2010). “Made in Massachusetts”: Converting Hides and Skins into Leather and Turkish Immigrants into Industrial Laborers (1860s-1920s) (Doktora tezi). Bilkent Üniversitesi veri tabanından erişildi. Erişim adresi: http://hdl.handle.net/11693/29634
  3. Ahmed, F. (1993). Turks in America: The Ottoman Turk’s Immigrant Experience. Greenwich, Ct.: Columbia Inter- national. Baily, J. ve Collyer, M. (2006). Introduction: Music and Migration. Journal of Ethnic and Migration Studies, 32(2), 167-182. https://doi.org/10.1080/13691830500487266
  4. Baka, A. ve Soffa, D. (2002). Amalia! Old Greek Songs in the New Land, 1923-1950: In Foreign Lands Since My Childhood. El Cerrito, CA: Arhoolie Productions. Barkan, E. R. (2001). Making It in America: A Sourcebook on Eminent Ethnic Americans. Santa Barbara, CA: AB- C-CLIO. Bercovici, K. (1924). Around the World in New York. New York ve London: The Century Company. Bucuvalas, T. ve Frangos, S. K. (2018). Overview of Greek Music in America. Greek Music in America içinde (s. 10-50). Jackson: University Press of Mississippi. Burgess, T. (1913). Greeks in America; an Account of Their Coming, Progress, Customs, Living, and Aspirations. Boston, Sherman, French ve Company. Canoutas, S. G. ve Helmis, G., N. (1912). Hellēno-Amerikanikos Hodēgos: Etos Pempton 1912 Fifth Year. New York: The Helmis Press Carlson, C. ve Allen, D. J. (1990). The Bulgarian Americans. New York: Chelsea House Publishers.
  5. Chianis, S. (Sam). (1983). A Glimpse of Greek Music in America. Greek Music Tour içinde (s. 3-4). New York: Et- hnic Folk Arts Center. Chianis, S. (Sam). (2018). George Dimitrios Grachis (1882–1965). T. Bucuvalas (Ed.), Greek Music in America içinde (s. 345-353). Jackson: University Press of Mississippi. Christowe, S. (1930). Kyotchek. Outlook and Independent, 155(2), 48-49, 74-75.
  6. Demir, M. (2018). Osmanlı Eğlence Hayatında Bir Alt Kültür Müzikli Kahvehâne: Amane Kahvehâneleri. Folklor/ Edebiyat, 24(93), 35-53.
  7. Feldman, W. Z. (1975). Middle Eastern Music Among Immigrant Communities In New York City. Balkan-Arts Traditions, (Spring Folk Festival), 19-25.
  8. Frangos, S. (1989). Greek-American Family Record Collections: Family Record Collections as Research Sources. Resound, 8(4), 1, 3-6.
  9. Frangos, S. (1991, 27 Nisan). Cafe Amans: The Globa