Journals / F L S F / Süleyman Demirel Üniversitesi Felsefe Dergisi / 2014 / Cilt: 9 - Sayı: 18

(Institutional Structure of Artistic Activity in the Philosophy of Arthur Danto and George Dickie)

ARTHUR DANTO VE GEORGE DİCKİE'DE SANAT ETKİNLİĞİNİN KURUMSAL YAPISI

Pages
115–132
Publication Date
2022-10-18
DOI
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

So these approaches and institutional theories of art that have shaped and have been shaped by the contemporary art will be scrutinized.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:Arthur Danto, as an art critic and philosopher, gave the notion ofartworld a philosophical definition and presented a cultural approach about the nature of art and artistic activity in the 1960s.
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Key Findings & Data:After that, the artworld is defined by George Dickie as an institution that refers to a social practice.
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Conclusion & Impact:So these approaches and institutional theories of art that have shaped and have been shaped by the contemporary art will be scrutinized.
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Domain Parameters

Abstract

Arthur Danto, as an art critic and philosopher, gave the notion ofartworld a philosophical definition and presented a cultural approach about the nature of art and artistic activity in the 1960s. After that, the artworld is defined by George Dickie as an institution that refers to a social practice. Within this framework, Dickie formulated an institutional theory of art that can explain also the contemporary works of art. According to the institutional theory, an object can only become art in the context of the institution known as artworld . So these approaches and institutional theories of art that have shaped and have been shaped by the contemporary art will be scrutinized.

Özet

Bir sanat eleştirmeni ve filozof olan Arthur Danto, 1960larda sanat dünyası nosyonuna felsefi bir tanım kazandırmış ve sanatın doğasına ilişkin kültürel bir yaklaşım geliştirmiştir. Sonrasında sanat dünyası, George Dickie tarafından sosyal bir pratiğe gönderme yapan bir kurum olarak tanımlanmıştır. Bu çerçevede Dickienin formüle ettiği kurumsal sanat kuramı, çağdaş sanat yapıtlarına da açıklama getirebilmektedir. Kurumsal sanat kuramına göre, bir nesne ancak ve ancak sanat dünyası olarak adlandırılan bir kurum bağlamında bir sanat yapıtı olarak ortaya konabilmektedir. Bu doğrultuda, hem çağdaş sanat tarafından etkilenen hem de çağdaş sanatı şekillendiren kurumsal kuram ve yaklaşımlar irdelenecektir. Anahtar Sözcükler: Sanat Dünyası, Kurumsal Sanat Kuramı, Sanat Yapıtı, Sanatsal Etkinlik, İnsan Ürünü Nesne

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Cite This Article

GÜLTEKİN, A. C. (2022). (Institutional Structure of Artistic Activity in the Philosophy of Arthur Danto and George Dickie). F L S F / Süleyman Demirel Üniversitesi Felsefe Dergisi, Cilt: 9 - Sayı: 18, 115–132. https://ajindex.com/articles/517477

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References (12)

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