Journals / Eurasian Journal of Music and Dance / 2020 / Sayı: 16

The Use of Propaganda Songs in Radio Broadcasts in The Soviet Union in The Second World War: The Examination on The Song "The Sacred War"

İKİNCİ DÜNYA SAVAŞI'NDA SOVYETLER BİRLİĞİ'NDEKİ RADYO YAYINLARINDA PROPAGANDA ŞARKILARININ KULLANILMASI: "KUTSAL SAVAŞ" ŞARKISI ÜZERİNE İNCELEME

Pages
263–280
Publication Date
2020-06-30
DOI
—
🏛️Bibliographic metadata and full text access for this article are provided via DergiPark.
DergiPark Record ↗
✨

AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

The findings revealed that the Soviet people were tried to be mobilized against the German armies, building hate speech at Germany directly and emphasizing that Germany caused danger for the Soviet Union over ideological rhetoric in the propaganda song.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:The Soviet Union broadcasted propaganda songs against Germany on the radio during World War II.
📊
Key Findings & Data:The song "The Sacred War", written by Vasiliy Lebedev and composed by the composer of the national anthem of the Soviet Union, Aleksandr Aleksandrov was featured in radio broadcasts and used for propaganda purposes in order to encourage the Soviet people's struggle against the German armies.
💡
Conclusion & Impact:The findings revealed that the Soviet people were tried to be mobilized against the German armies, building hate speech at Germany directly and emphasizing that Germany caused danger for the Soviet Union over ideological rhetoric in the propaganda song.
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Radyo · şarkı · müzik

Abstract

The Soviet Union broadcasted propaganda songs against Germany on the radio during World War II. The song "The Sacred War", written by Vasiliy Lebedev and composed by the composer of the national anthem of the Soviet Union, Aleksandr Aleksandrov was featured in radio broadcasts and used for propaganda purposes in order to encourage the Soviet people's struggle against the German armies. Within the scope of the study, it was aimed to reveal which discourses used for the purpose of propaganda over "The Sacred War" in the radio broadcasts of the Soviet Union during World War II. For this purpose, the lyrics of the song "Sacred War" were analyzed in the light of linguist Roman Jakobson's semiotics method. The musical analysis of the anthem was performed sensually. It was observed that the anthem was performed in the form of a two-part song in a minor tone accompanied by instruments from different groups. The findings revealed that the Soviet people were tried to be mobilized against the German armies, building hate speech at Germany directly and emphasizing that Germany caused danger for the Soviet Union over ideological rhetoric in the propaganda song.

Özet

İkinci Dünya Savaşı'nda Sovyetler Birliği radyo yayınlarında Almanya'ya karşı propaganda amaçlı şarkılar yayınlamıştı. Bunlar içerisinde Vasiliy Lebedev tarafından yazılan ve Sovyetler Birliği'nin ulusal marşının bestecisi Aleksandr Aleksandrov tarafından bestelenen "Kutsal Savaş" isimli şarkı radyo yayınlarında ön plana çıkarılmış ve Sovyet halkının Alman ordularına karşı mücadelesini teşvik etmek için propaganda amaçlı kullanılmıştı. Çalışma kapsamında "Kutsal Savaş" adlı şarkı özelinde İkinci Dünya Savaşı'nda Sovyetler Birliği'nin radyo yayınlarında Almanya'ya yönelik propaganda amaçlı hangi söylemlere yer verildiğinin ortaya çıkarılması amaçlanmıştır. Bu amaçla çalışmada "Kutsal Savaş" adlı şarkının sözleri, dilbilimci Roman Jakobson'un göstergebilim metodu ışığında analiz edilmiştir. Marşın müziksel analizi duyumsal olarak gerçekleştirilmiştir. Marşın iki bölmeli şarkı formunda la minör tonunda farklı çalgı gruplarından enstrumanlar eşliğinde icra edildiği gözlemlenmiştir. Elde edilen bulgularda, propaganda şarkısında doğrudan Almanya'ya yönelik nefret söyleminin inşa edildiği ve ideolojik söylemler üzerinden Almanya'nın Sovyetler Birliği için tehlikeye yol açtığı vurgulanarak, Alman ordularına karşı Sovyet halkının seferber edilmeye çalışıldığı ortaya konulmuştur.

🔖

Cite This Article

ÇALIŞKAN, S., DOĞAN, D. K. (2020). The Use of Propaganda Songs in Radio Broadcasts in The Soviet Union in The Second World War: The Examination on The Song "The Sacred War". Eurasian Journal of Music and Dance, Sayı: 16, 263–280. https://ajindex.com/articles/383545

📄 Full Text PDF Viewer

📄

PDF görüntüleyici hazırlanıyor...

References (16)

  1. Abelman, R. (2006). Without Divine Intervention: Contemporary Christian Music Radio and Audience Transference. Journal of Media and Religion, 5(4), 209-231.
  2. Adena, M., Enikolopov, R., Petrova, M., Santarosa, V., & Zhuravskaya, E. (2015). Radio and the Rise of the Nazis in Prewar Germany. The Quarterly Journal of Economics, 130(4), 1885-1939.
  3. Adorno, T. W. (1945). A Social Critique of Radio Music. The Kenyon Review, 7(2), 208-217.
  4. Ahlkvist, J. A., & Fisher, G. (2000). And the Hits Just Keep on Coming: Music Programming Standardization in Commercial Radio. Poetics, 27(5-6), 301-325.
  5. Ahlkvist, J. A. (2001). Programming Philosophies and the Rationalization of Music Radio. Media, Culture & Society, 23(3), 339-358.
  6. Aşkan, H., & Gülsün, M. (2020). Müttefik Devletleri'nin Radyo Yayınlarına Karşı Vichy Fransası'nın Mücadelesi: "Nimbus Libéré" Çizgi Filmi Üzerine İnceleme. International Journal of Social Science, 3(1), 47-60.
  7. Bağçeci, S. E. (2003). Piyano eğitiminde müzikal analiz kavramı – kapsamı ve örnek klavye analizleri. Elazığ Fırat Üniversitesi Sosyal Bilimler Dergisi, Cilt: 13, Sayı 1:159-176.
  8. Barnard, S. (1989). On the Radio: Music Radio in Britain. The United Kingdom: Open University Press.
  9. Brent, L., & Weaver, O. (1996). The Physiological and Behavioral Effects of Radio Music on Singly Housed Baboons. Journal of Medical Primatology, 25(5), 370-374.
  10. Bosch, T. E. (2014).
  11. Commercial Music Radio, Race and Identity in South Africa. Media, Culture & Society, 36(7), 901-915.
  12. Carney, G. O. (1977). From Down Home to Uptown: the Diffusion of Country-Music Radio Stations in the United States. Journal of Geography, 76(3), 104-110.
  13. Chapman, R. (2012). Selling the Sixties: the Pirates and Pop Music Radio. The United Kingdom: Routledge. Cox, J. (2005). Music Radio: the Great Performers and Programs of the 1920s through early 1960s (p. ix369). Jefferson, NC, The United States: McFarland. Çakı, C. (2020). Nazi Almanyası'nda "Lord Haw-Haw" Radyo Propagandasına Karşı İngiltere'nin "Nasti News" Kısa Film Propagandası Üzerine İnceleme. TRT Akademi, 5(9), 334-355.
  14. Echchaibi, N. (2001). We are French too, but Different: Radio, Music and the Articulation of Difference Among Young North Africans in France. Gazette (Leiden, Netherlands), 63(4), 295-310.
  15. Edwards, E. D., & Singletary, M. W. (1989). Life's Soundtracks: Relationships between Radio Music Subcultures and Listeners’ Belief Systems. Southern Communication Journal, 54(2), 144-158.
  16. Fiske, J. (2017). İletişim Çalışmalarına