BİREY, ÖZGÜR İRADE VE ÖZGÜR DÜŞÜNCE KAVRAMLARININ LESSING'İN OYUNLARINDAKİ YANSIMALARI

References (10)

1. ARENDT, Hannah, Between Past and Future, Penguin Books, New York, 1993
2. ARENDT, Hannah, Men in Dark Times, A Harvest/HBJ Book, New York, 1983
3. ARENDT, Hannah, The Origins of Totalitarianism, A Harvest/HBJ Book, New York, 1973
4. AYTAÇ, Gürsel, Yeni Alman Edebiyatı Tarihi, Kültür ve Turizm BakanlığıYayınları, Ankara,1983
5. GANTER, Theresa Marie, Heiner Müller and the Geschichtsdrama: Searching for a New German Identiy in the Post-World War II and Post-Reunification Eras, The Pennsylvania State University, The Graduate School, College of Liberate Arts, Doctoral Dissertation, 2005
6. KAUFMANN, Walter, Nietzsche, Meridian Books, New York, 1956
7. LESSING, Gotthold Ephraim, Minna von Barnhelm, Çeviri Sebahattin Ali, Milli Eğitim Basımevi, Ankara, 1942
8. LESSING, Gotthold Ephraim, Bilge Nathan, Çeviri Hayrullah Örs, Kültür Bakanlığı Yayınları, Ankara, 1981
9. MEHRING, Franz, The Lessing Legend, Translated by A.S. Grogan, Critics Group Press of New York, New York, 1938
10. WELLBERY, E. David (ed.), A New History of German Literature, Harvard University Press, Massachusetts, 2004 Abstract: The very word “reason” has a significant place in the history of human mind. However, the dominant powers of the varying systems of social order have monopolized reason by imposing ethnic, religious and feudal allegiances on the individual throughout history. It was the Age of Enlightenment that people started to question those social etiquettes by thinking independently. This article entitled “Reflections of the Individual, Free Will and Independent Thought Conceptions in Lessing’s Plays” investigates these conceptions in the light of the analyses of the German dramatist’s works “Minna von Barnhelm” and “Nathan the Wise”, taking Kant’s opinions regarding free will, pure and practical reason as a starting point. This article intends to show how an individual can act freely as a consequence regardless of any kind of social limitations.